Poems

by William Wordsworth

Published December 1955
For information about the Cornell Wordsworth series, please visit the series website at http: //CornellWordsworth.BookPub.net

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1867 edition. Excerpt: ... lingered in the rear: Thought followed thought--and ere the last Of that unhappy train was past, Before him Francis did appear. " Now when 'tis not your aim to oppose," Said he, " in open field your foes; Now that from this decisive day Your multitude must melt away, An unarmed man may come unblamed; To ask a grace, that was not claimed Long as your hopes were high, he now May hither bring a fearless brow; When his discountenance can do No injury, --may come to you. Though in your cause no part I bear, Your indignation I can share; Am grieved this backward march to see, How careless and disorderly! I scorn your Chieftains, men who lead, And yet want courage at their need; Then look at them with open eyes! Deserve they further sacrifice? My Father! I would help to find A place of shelter, till the rage Of cruel men do like the wind Exhaust itself and sink to rest; Be brother now to brother joined! Admit me in the equipage Of your misfortunes, that at least, Whatever fate remains behind, I may bear witness in my breast To your nobility of mind! " " Thou enemy, my bane and blight! Oh! bold to fight the coward's fight Against all good "--but why declare, At length, the issue of this prayer? Or how, from his depression raised, The father on his son had gazed; Suffice it that the son gave way, Nor strove that passion to allay, Nor did he turn aside to prove His brothers' wisdom or their love--But calmly from the spot withdrew; The like endeavours to renew, Should e'er a kindlier time ensue. r-rv. "jROM cloudless ether looking down, The moon, this tranquil evening, sees A camp, and a beleaguered town, And castle like a stately crown On the steep rocks of winding Tees;--And, southward far, with moors between, Hill-tops, and floods, and forests green, The...

Excursion

by William Wordsworth

Published 26 September 1991
"I am convinced that there are three things to rejoice at in this Age-The Excursion Your Pictures, and Hazlitt's depth of Taste."-John Keats to Benjamin Robert Haydon"I have been reading Wordsworth's Excursion with many tears and prayers too. To me he is not only poet, but preacher and prophet of God's new and divine philosophy-a man raised up as a light in a dark time."-Charles KingsleyThe Excursion by William Wordsworth is a dramatic poem that advances largely through debate among the four main speakers: the Poet, the Wanderer, the Solitary, and the Pastor; the action of the poem seems to take place over five days. It was Wordsworth's second long poem, his public attempt at a "Great Poem," and his only work of any length to be read by most of his contemporaries. While The Prelude has found more favor with today's readers, The Excursion appealed to the Victorians, who embraced it, considering this influential work a source of spiritual strength in an uncertain world. This Cornell Wordsworth volume presents the first scholarly edition of The Excursion in half a century-and the first true scholarly edition of the original 1814 text. All manuscripts produced under the author's supervision are separately and completely transcribed in this edition. An introduction, a manuscript history, lists of printed verbal and nonverbal variants, extensive editors' notes, and selected photographs also chronicle the poem's full evolution. In short, this edition makes it possible, for the first time, to follow the complete compositional history of Wordsworth's epic.

The Borderers

by William Wordsworth

Published 30 June 1982
This book is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

This book presents much of Wordsworth's poetic output from the last three decades of his life. Approximately two hundred poems are featured, including On the Power of Sound, the sequence of Evening Voluntaries, and the poet's tributes to the dead, such as those to Sir George Beaumont, Samuel Taylor Coleridge, and James Hogg. The volume excludes longer works written during this period, which appear in other volumes in The Cornell Wordsworth.
Last Poems provides reading texts of all the poems in their earliest finished versions, an apparatus criticus of all variant readings from all surviving manuscript and print forms over which the poet exercised control, Wordsworth's—and the editors—notes to each of the poems, and photographs and transcriptions of selected manuscripts.

The poems display a wide range of verse forms, including examples from most of the classes and types that Wordsworth himself used to organize his oeuvre as well as poems best described as efforts to shape poetic forms in new ways. Chronologically arranged, the poems explore themes both perennial and topical as Wordsworth endeavored to come to terms with a rapidly changing world by exploring the past, the present, and the links between them.


This volume is made up of work from the beginning of Wordsworth's career, when he was a Hawkshead schoolboy, until the end of his time at Racedown in mid-1797. Like other volumes in The Cornell Wordsworth series, this book is based on detailed study of the relevant manuscripts. Each poem or fragment is accompanied by a headnote that explains that item's provenance among the manuscripts and examines its literary or biographical background. Most of the work in this volume was never published in Wordsworth's lifetime. (Early works that appear in other volumes of The Cornell Wordsworth have been omitted, but all other work from Wordsworth's early manuscripts, whether a finished piece or a mere jotting, has been included.)

The editors draw heavily on seventeen notebooks or other manuscripts. Fifteen of them are presented in photographic copies; all are described fully in bibliographical terms. Although some writing from the notebooks has appeared in print since the poet's death in 1850, the Landon and Curtis edition supersedes earlier versions in thoroughness and overall reliability. The editors present a plausible new organization of the Vale of Esthwaite materials, an improved sequential versions of the two dirges written at Cambridge, and a substantially enlarged text of the Wordsworth-Wrangham "Imitation of Juvenal." The incomplete "Greyhound Ballad" is one of several fragments appearing in print for the first time.

For more information, please visit the Cornell Wordsworth series website at http://CornellWordsworth.BookPub.net


Peter Bell

by William Wordsworth

Published 11 February 1985

This volume of The Cornell Wordsworth contains eight collections of poems, mostly sonnets, published between 1820 and 1845. The River Duddon is a series of sonnets describing an imagined journey. Ecclesiastical Sketches, by far the largest group in the volume, consists entirely of sonnets and moves through historical time rather than topographical space. Memorials of a Tour on the Continent, 1820 is a record of an actual tour, containing when first published 23 sonnets and 15 other poems. In Yarrow Revisited, and Other Poems, celebrating another tour, all but three of the 26 poems are sonnets. Memorials of a Tour in Scotland, 1833 originally consisted entirely of sonnets. Memorials of a Tour in Italy includes five poems that are not sonnets. The remaining two groups, Sonnets upon the Punishment of Death and Sonnets Dedicated to Liberty and Order, which are both quite short, move through neither space nor time, but are thematically linked.An account of the genesis, dates of composition, and publication of each series is followed by reading texts, including all available variants. The poems are followed by Wordsworth's own notes and by the editor's notes. Photographic reproductions of manuscript pages of special interest, with transcriptions, are included for all the collections except Sonnets Dedicated to Liberty and Order.

An Evening Walk

by William Wordsworth

Published 6 February 1984



For information about the Cornell Wordsworth series, please visit the series website at http: //CornellWordsworth.BookPub.net


The present edition provides the first comprehensive textual history from earliest manuscript to final lifetime printing of the poems published in the epochal Lyrical Ballads, and of contemporaneous short poems by Wordsworth (1770-1850). For those poems originally published in 1800, this edition is




William Wordsworth's two most extensive translation projects were his modernization of selected poems by Chaucer and his unfinished translation of Virgil's "Aeneid". Bruce E. Graver offers the texts, a complete account of their genesis and publication, a discussion of Wordsworth's practice as a translator. Graver's reading of the "Aeneid" corrects hundreds of substantive errors in the published texts of the translation. Unlike other volumes in the Cornell Wordsworth series, this one focuses on a particular kind of poetical work, translation. Like others, it includes reading texts with full critical apparatuses, photographic reproductions and transcriptions of manuscripts, as well as Graver's own introduction and notes which amount to a critical monograph on Wordsworth and translation. Graver suggests that both translation projects were self-conscious attempts on Wordsworth's part to compete with John Dryden, the pre-eminent English translator. He supplies evidence for a major reassessment of Wordsworth's attitudes toward Dryden and, indirectly, of the relationship of Wordsworth's poetry to British neoclassicism.
Graver believes Wordsworth's scholarly abilities were much greater than commonly supposed, and that his translations will interest classicists, mediaevalists and 18th-century scholars, as well as romanticists.