The Complete Works of Sangharakshita
4 primary works • 13 total works
Book 9
How can we be happy and at the same time responsive to the suffering of others? It can be done: this is the message of the Bodhisattva ideal. The image of the Bodhisattva, one who wishes to gain Enlightenment for the sake of all beings, lies at the heart of much of Indian, Tibetan and Chinese Buddhism. For one wishing to follow this path, the development of inner calm and positivity that leads to true wisdom is balanced by a genuine and active concern for others which flowers into great compassion. Sustained by a deep understanding gained through meditation and reflection, the Bodhisattva is able to work tirelessly for the benefit of all. Sangharakshita places the ideal of the Bodhisattva within the context of the entire Buddhist tradition. Unfolding this vision of our potential, he demonstrates how we ourselves can move towards this ideal.
Book 12
This illuminating collection of previously unpublished talks traces the development of Sangharakshita's presentation of the Dharma in the West from 1965 to 2011. It includes some of his characteristic teachings in their earliest forms (the levels of Going for Refuge to the Three Jewels, for example), and makes other talks accessible for the first time in published form. We see the unfolding of the Buddhist movement he founded, from Sangharakshita's talks before the movement began, his early teachings that foreshadow aspects of its nature, and then its beginnings in a basement in 1960s London. Other talks cover development of the sangha over the years, and Sangharakshita's reflections on what would help it develop in the years to come.
Drawing on a wide range of sources, from the Pali canon and The Tibetan Book of the Dead to Beowulf and William Wordsworth, there are many intriguing perspectives: an exploration of Buddhist psychology, the histories of great teachers like Padmasambhava and Atisa, reflections on going forth, creativity, the demons around and within us, the role of the will in the spiritual life, and much more. The final talks in the volume, given towards the end of Sangharakshita's life, are more personal, and they include reflections on dreams, old age and rebirth.
Drawing on a wide range of sources, from the Pali canon and The Tibetan Book of the Dead to Beowulf and William Wordsworth, there are many intriguing perspectives: an exploration of Buddhist psychology, the histories of great teachers like Padmasambhava and Atisa, reflections on going forth, creativity, the demons around and within us, the role of the will in the spiritual life, and much more. The final talks in the volume, given towards the end of Sangharakshita's life, are more personal, and they include reflections on dreams, old age and rebirth.
Book 24
Through Buddhist Eyes continues Sangharakshita's five volumes of memoirs. Covering journeys across five continents and two decades, this volume is made up of nineteen travel letters and one talk. They are Sangharakshita's heartfelt communications to the growing membership of the new Buddhist movement he founded: the Triratna Buddhist Order.
The journey begins with Sangharakshita's return to India in 1979 after an absence of twelve years. There, the vision of Buddhism he longed to see in the land of the Buddha's birth was already coming to fruition in the movement initiated by Dr Ambedkar. It was to remain a constant theme throughout his subsequent thought and writing. The growing network of friendships, teams and communities that make up this pioneering Buddhist movement then come alive in a late twentieth-century world of airports and motorways, of Beat poets, vegetarian pizzas, counter-culture and visionary social activism.
But the travel letters also have a deeper significance; these are, above all, spiritual communications. Whether awed by works of artistic brilliance or enveloped in moods of contemplation, Sangharakshita responds with a combination of keen observation and an ever-present imaginative engagement. Sangharakshita delights in culture, in art and particularly in literature in his letters. This volume supplements the accounts of his adventures with over 800 endnotes detailing the lives and achievements of artists, poets, writers, musicians, philosophers and members of the Triratna Buddhist Order that he references, plus twenty maps and illustrations.
Part reflection, part travelogue, part chronicle of a vibrant new spiritual movement, Through Buddhist Eyes opens a window on the inner life and the outer world of Urgyen Sangharakshita, one of the greatest Buddhist teachers of the twentieth century.
The journey begins with Sangharakshita's return to India in 1979 after an absence of twelve years. There, the vision of Buddhism he longed to see in the land of the Buddha's birth was already coming to fruition in the movement initiated by Dr Ambedkar. It was to remain a constant theme throughout his subsequent thought and writing. The growing network of friendships, teams and communities that make up this pioneering Buddhist movement then come alive in a late twentieth-century world of airports and motorways, of Beat poets, vegetarian pizzas, counter-culture and visionary social activism.
But the travel letters also have a deeper significance; these are, above all, spiritual communications. Whether awed by works of artistic brilliance or enveloped in moods of contemplation, Sangharakshita responds with a combination of keen observation and an ever-present imaginative engagement. Sangharakshita delights in culture, in art and particularly in literature in his letters. This volume supplements the accounts of his adventures with over 800 endnotes detailing the lives and achievements of artists, poets, writers, musicians, philosophers and members of the Triratna Buddhist Order that he references, plus twenty maps and illustrations.
Part reflection, part travelogue, part chronicle of a vibrant new spiritual movement, Through Buddhist Eyes opens a window on the inner life and the outer world of Urgyen Sangharakshita, one of the greatest Buddhist teachers of the twentieth century.
Book 26
This multi-faceted volume includes a collection of aphorisms, a selection of teachings on Buddhism and the arts, and two collections of late writings. The aphorisms, from the first phase of Sangharakshita's teaching in the West, and first selected for publication in 1979 and 1998, are by turns uncompromising, provocative, witty, self-evident, gnomic and plain common sense, though responses will surely vary from reader to reader, mood to mood. The sequence on the arts sheds light on one of Sangharakshita's most distinctive perspectives on the Dharma, from The Religion of Art, which was one of his earliest works on the subject, to articles and interviews published over many years. Full of poetry and grace, they shine with the author's love of the subject and make a convincing case for the closeness of the relationship between Buddhism and the arts. The late writings cover an astonishingly wide range of themes, from his childhood memories to the lucid reflections of Sangharakshita's old age. Those written in the last weeks of his life include subjects as diverse as Einstein's 3-sphere, the relationship between Buddhism and Islam, and the symbolism of rainbows.
In 1950 Kalimpong was a lively trading town in the intrigue-ridden corner of India that borders Nepal, Bhutan, Sikkim and Tibet. Finding a welcome in this town, nestled high in the mountains, were a bewildering array of guests and settlers, including Sangharakshita, a young English monk. In this delightful volume of memoirs, Sangharakshita shares the incidents and insights of his early years in Kalimpong, including a meeting with Dr B.R. Ambedkar and his friendship with Lama Anagarika Govinda.
This fourth volume of memoirs, covering the years 1964 to 1967, deals with Sangharakshita's return to Britain and describes the difficulties he encountered in his attempts to unite English Buddhists. We witness the turning point at which he decided to dedicate his life to working 'for the good of Buddhism' in his native land. This culminated in the birth (in a shop basement in central London) of a new Buddhist movement. Thirty-six years later the Triratna Buddhist Order is spreading the Buddha's message in more than twenty-six countries around the globe.
This engaging volume of memoirs recounts the unique experiences of an English Buddhist monk working in the mid-1950s to revive Buddhism in the land of its birth. Sangharakshita's lyrical descriptions evoke the kaleidoscope of the Indian landscape in delightful detail. With candour he relates his grittier encounters with royalty and religion, poverty and politics, corruption and ignorance.
The story of the spiritual journey of the famous Tibetan yogi Milarepa is often told, but less well known are the stories of his encounters with those he met and taught after his own Enlightenment, eleven of which are the catalyst for volumes 18 and 19 of the Complete Works. The first three were originally published in The Yogi's Joy, and to these have been added an intriguing fourth, `The Shepherd's Search for Mind'.
The other seven stories form a sequence tracing the relationship between Milarepa and his disciple Rechungpa, from their first meeting to their final parting, when Rechungpa is exhorted to go and teach the Dharma himself. As portrayed in The Hundred Thousand Songs of Milarepa, Rechungpa is a promising disciple, but he has a lot to learn, being sometimes proud, distracted, anxious, desirous of comfort and praise, over-attached to book learning, stubborn, sulky and liable to go to extremes. In other words, he is very human, and surely recognizable to anyone who has embarked on the spiritual path. He all too often takes his teacher's advice the wrong way, or simply ignores it, and it takes all of Milarepa's skill, compassion and patience to keep their relationship intact and help his unruly disciple to stay on the path to Enlightenment.
Sangharakshita's commentary is based on seminars he gave to young, enthusiastic but as yet inexperienced Dharma followers, and while much can be gleaned from it about the path of practice of the Kagyu tradition, the main emphasis is simply on how to overcome the difficulties that are sure to befall the would-be spiritual practitioner, how to learn what we need to learn - in short, the art of discipleship.
The other seven stories form a sequence tracing the relationship between Milarepa and his disciple Rechungpa, from their first meeting to their final parting, when Rechungpa is exhorted to go and teach the Dharma himself. As portrayed in The Hundred Thousand Songs of Milarepa, Rechungpa is a promising disciple, but he has a lot to learn, being sometimes proud, distracted, anxious, desirous of comfort and praise, over-attached to book learning, stubborn, sulky and liable to go to extremes. In other words, he is very human, and surely recognizable to anyone who has embarked on the spiritual path. He all too often takes his teacher's advice the wrong way, or simply ignores it, and it takes all of Milarepa's skill, compassion and patience to keep their relationship intact and help his unruly disciple to stay on the path to Enlightenment.
Sangharakshita's commentary is based on seminars he gave to young, enthusiastic but as yet inexperienced Dharma followers, and while much can be gleaned from it about the path of practice of the Kagyu tradition, the main emphasis is simply on how to overcome the difficulties that are sure to befall the would-be spiritual practitioner, how to learn what we need to learn - in short, the art of discipleship.
In this volume Sangharakshita approaches communicating Buddhism in the West from two very different, but equally illuminating, angles. In the first part, in talks given in the early years of his teaching in England, he introduces the apparently exotic worlds of Tibetan Buddhism (1965) and its creative symbols (1972) and Zen Buddhism (1965), clarifying their mysteries while also somehow allowing them to work their magic. In the second part, by contrast, he examines the practice of Buddhism in the context of Western culture. In the polemical paper The FWBO and 'Protestant Buddhism' (first published in 1992) he looks at the characteristics of the Triratna community (the FWBO at the time of writing) as it was 25 years after its founding, in a response to an academic's assessment of the nascent Buddhist movement. And in From Genesis to the Diamond Sutra (first published in 2005) he reveals his own attitude to the literature and doctrines of Christianity, including the Christian view of homosexuality, in a multi-faceted exploration which includes autobiographical material not found anywhere else in his written work.
`It is its spiritual background which gives to Sangharakshita's poetry its depth and emotional appeal. It rests on the inner parallelism between the most fundamental human emotions and the highest experiences on the path of liberation and enlightenment, the relationship between love and wisdom, the individual and the universal, the moods of Nature and the moods of the human heart.' - Lama Anagarika Govinda
In his preface to the Complete Poems published in 1994 Sangharakshita wrote that his poems 'constitute a sort of spiritual autobiography, sketchy indeed, but perhaps revealing, or at least suggesting, aspects of my life that would not otherwise be known'. He wrote many more poems after that, and more from his early years have come to light. This volume contains all of them, offering a truly complete collection, and also includes six short stories, written over many years and some of them previously unpublished, also shedding new light on the imagination and perceptions of their author. The volume is prefaced by a foreword and two essays introducing the poems in different ways, and also contains edited versions of two talks Sangharakshita gave about specific poems, and a sequence of conversations about his poetry that were recorded towards the end of his life.
In his preface to the Complete Poems published in 1994 Sangharakshita wrote that his poems 'constitute a sort of spiritual autobiography, sketchy indeed, but perhaps revealing, or at least suggesting, aspects of my life that would not otherwise be known'. He wrote many more poems after that, and more from his early years have come to light. This volume contains all of them, offering a truly complete collection, and also includes six short stories, written over many years and some of them previously unpublished, also shedding new light on the imagination and perceptions of their author. The volume is prefaced by a foreword and two essays introducing the poems in different ways, and also contains edited versions of two talks Sangharakshita gave about specific poems, and a sequence of conversations about his poetry that were recorded towards the end of his life.
One of Sangharakshita's outstanding contributions to Buddhism has been to survey the whole range of Buddhist schools, each with its own approach, own language and so on, and to distil out what is most fundamental. You are a Buddhist because - and only because - you Go for Refuge to the Three Jewels. But how did this become clear to him and what in any case does it actually mean practically to go for Refuge to the Buddha, Dharma and Sangha?
The nine texts in this volume, composed over a period of more than thirty years, show Sangharakshita's unfolding insight into the meaning, significance and centrality of Going for Refuge. It includes some of his most important communications to the Order he founded: on the ten ethical precepts, his relation to the Order, and the history of his Going for Refuge. And in reflecting on his own bhikkhu ordination there is a challenge to some of the Buddhist world's most deeply rooted assumptions. Sangharakshita writes not just as a student and scholar but with the devotion of one who himself Goes for Refuge and seeks to share the fruits of his journey with others.
The nine texts in this volume, composed over a period of more than thirty years, show Sangharakshita's unfolding insight into the meaning, significance and centrality of Going for Refuge. It includes some of his most important communications to the Order he founded: on the ten ethical precepts, his relation to the Order, and the history of his Going for Refuge. And in reflecting on his own bhikkhu ordination there is a challenge to some of the Buddhist world's most deeply rooted assumptions. Sangharakshita writes not just as a student and scholar but with the devotion of one who himself Goes for Refuge and seeks to share the fruits of his journey with others.
This is the continuing story of Milarepa and his disciple Rechungpa, first encountered in volume 18 of the Complete Works. As portrayed in The Hundred Thousand Songs of Milarepa, Rechungpa is a promising disciple, but he has a lot to learn, being sometimes proud, distracted, anxious, desirous of comfort and praise, over-attached to book learning, stubborn, sulky and liable to go to extremes. In other words, he is very human, and surely recognizable to anyone who has embarked on the spiritual path. He all too often takes his teacher's advice the wrong way, or simply ignores it, and it takes all of Milarepa's skill, compassion and patience to keep their relationship intact and help his unruly disciple to stay on the path to Enlightenment.
In the story that begins this volume, matters come to a head when Milarepa burns the books that Rechungpa went all the way to India to acquire, but by the end of the volume, Rechungpa is able to set out on his own mission to teach the Dharma. Much happens in between.
Sangharakshita's commentary, based on seminars given in the late 1970s and early 1980s, draws from the stories of Milarepa and his wayward disciple much valuable advice for any would-be spiritual practitioner.
In the story that begins this volume, matters come to a head when Milarepa burns the books that Rechungpa went all the way to India to acquire, but by the end of the volume, Rechungpa is able to set out on his own mission to teach the Dharma. Much happens in between.
Sangharakshita's commentary, based on seminars given in the late 1970s and early 1980s, draws from the stories of Milarepa and his wayward disciple much valuable advice for any would-be spiritual practitioner.
This volume, which introduces the sequence of Complete Works volumes that include Sangharakshita's commentaries on a range of traditional Buddhist texts, begins with The Eternal Legacy, an introduction to the canonical literature of Buddhism, which succinctly and with great feeling gives the context for the commentaries to follow. Next comes Sangharakshita's talk 'The Glory of the Literary World', which considers how the Buddhist canon is to be approached, in a broad consideration of the literary traditions of both East and West. This is followed by an introduction to one of the earliest works of the Pali canon, the Udana, newly edited from a 1975 seminar for this Complete Works volume under the title Buddhism before Buddhism. Here we trace the Buddha's life from the period just after his Enlightenment to the time of his approaching death, and Sangharakshita (studying the text with members of what was in 1975 a very young Buddhist movement) draws out the newness and freshness of the Buddha's vision - so new, indeed, that words could scarcely be found to express it. And this volume concludes fittingly with Wisdom Beyond Words, Sangharakshita's much-loved commentary on several Perfection of Wisdom texts, another way of seeing how, in Asvaghosa's words, 'We use words to get free of words until we reach the pure wordless essence.'