Vintage International Series

In the hazardous fictional terrain of his historical novels, Gore Vidal is never especially kind to American history in general, or to its icons in particular. Yet in this brilliantly realised study of Abraham Lincoln, he paints a surprising and near-heroic picture of the man who led America through four of the most divisive and dangerous years of the nation's history. Observed alternately by his loved ones, his rivals and his future assassins, Lincoln at first appears as an inept and naive backwoods lawyer. People in this novel are not averse to turning up, getting drunk, and regaling the reader with details of Lincoln's whoring activities and his seemingly inexhaustible supply of folksy stories. Yet gradually Lincoln the towering leader of deep vision emerges in a Washington engulfed by fear, greed and the horrors of the Civil War. Lincoln's loving but mentally decomposing wife, his view from the White House on slavery and America's bloodiest war, and his own, fierce personal ambition: all are portrayed with a vibrancy and an urgency that almost belies what they have now become ? history itself.

Empire

by Gore Vidal

Published 12 May 1987

Caroline is an oddity; she was raised in France where they teach rich girls to talk and think. American society women, required only to think they are interesting beings, are alarmed. American men are amused - until Caroline shirks from marriage, sues her brother, buys a newspaper, and becomes that even greater oddity - a powerful woman.

City and the Pillar

by Gore Vidal

Published September 1965

Jim Willard, former high-school athlete and clean-cut boy-next-door-, is haunted by the memory of a romanctic adolescent encounter with his friend Bob Ford. As Jim pursues his first love, in awe of the very same masculinity he possesses himself, his progresss through the secret gay world of 1940's America unveils surreptitious Hollywood affairs, the hidden life of the military in the Second World War and the underworld bar culture of New York City.

With the publication of his daring thrid novel The City and the Pillar in 1948, Gore Vidal shocked the American public, which has just begun to hail him as their newest and brightest young writer. It remains not only an authentic and profoundly importatnt social document but also a serious exploration of the nature of idealistic love.

Creation

by Gore Vidal

Published 1 January 1981

Cyrus, a fifth century Persian, relates the story of his travels and encounters as an ambassador.

1876

by Gore Vidal

Published 12 February 1976

With the centennial year of the United States as the target of this historical novel, Gore Vidal again mounts a glorious expedition into that grimy and intricate activity called politics. And this is politics as it ought to be: gossip, corruption, money, dinner parties, more corruption, and all the tacky panoply of power. Into the rarefied atmosphere of a world where money has begun to talk very loudly ? usually through the mouths of people called Astor ? step Charles Schuyler and his daughter Emma. Charlie is the unacknowledged bastard son of Aaron Burr; Emma is rather beautiful; and both think it is prudent to return from penury in Europe and secure a fortuitous marriage for Emma. But America is no longer a young republic; it's a fledgling international superpower with its attendant seedy administration, dubious election campaigns, snobbery, 'popped corn', 'speaking tubes' and 'perpendicular railways' (lifts). It's a world that will welcome into its social and political bosom these two attractive exotics with the right names. And it's a world whose every political peccadillo, social slip-up and irresistible intrigue is recorded in this, the journal of Charlie Schuyler.

Myra Breckinridge

by Gore Vidal

Published 19 February 1970

The outrageous and immortal, gender-bending and polymorphously perverse, over-the-top, and utterly on-target comic masterpiece from the bestselling author of Burr, Lincoln, and the National Book Award-winning United States.

With a new introduction by Camille Paglia

"I am Myra Breckinridge, whom no man will ever possess."

So begins the irresistible testimony of the luscious instructor of Empathy and Posture at Buck Loner's Academy of Drama and Modeling. Myra has a secret that only her surgeon shares; a passion for classic Hollywood films, which she regards as the supreme achievements of Western culture; and a sacred mission to bring heteronormative civilization to its knees.

Fifty years after its first publication unleashed gales of laughter, delight, and ferocious dissent ("Has literary decency fallen so low?" asked Time), Myra Breckinridge's moment to instruct and delight has once again arrived.

Hollywood

by Vidal and Gore Vidal

Published 1 October 1989

Continuing what has been dubbed his 'revenge on two hundred years of American history', Gore Vidal locates this novel in Washington. But this is 1917, and Hollywood is now competing with America's capital as the nation's power-base, just as it fights for centre-stage in this book. Caroline Sanford, erstwhile newspaper magnate, launches herself into the West Coast land of celluloid dreams and becomes, overnight, an international star. Not for nothing, on the dawn of World War One, is Caroline making films like the Huns from Hell. She is a government agent. But in Washington, that government isn't doing awfully well. Weighed down by his League of Nation's failure, by Roosevelt, Clemenceau, a stroke and the ship-like tonnage of his wife Edith, President Woodrow Wilson is on the wane - and Warren Harding is on the up. A popular, handsome, toothpick-chomping philanderer and dimwit whose wife is given to consulting spiritualists, he is about to usher in a new era. One of unprecedented scandal, cinematic extravagance and tawdry disintegration. The sort of era where the President could easily be mistaken for a film star ...

Julian

by Gore Vidal

Published December 1964

Gore Vidal's fictional recreation of the Roman Empire teetering on the crux of Christianity and ruled by an emperor who was an inveterate dabbler in arcane hocus-pocus, a prig, a bigot, and a dazzling and brilliant leader.

The Last Empire

by Gore Vidal

Published 5 June 2001

Gore Vidal's new collection of essays shows him still writing at his finest. His comments on the deplorable state of American politics - from Bill Clinton to George Bush - are as apposite as ever and, controversially, there are two magnificent essays on the Oklahoma bomber Timothy McVeigh - who entered into an extraordinary correspondence with Vidal when he was in gaol - to the recent terrorist attacks on the World Trade Center.

Burr

by Gore Vidal

Published 21 March 1974

Gore Vidal's classic novel of Aaron Burr - the man who shot Alexander Hamilton.

In 1804, Colonel Aaron Burr, Vice-President of the United States, shot and killed Alexander Hamilton in a duel. Three years later, on the order of President Thomas Jefferson, he was tried for treason: for plotting to dismember the United States.

Gore Vidal, romping iconoclastically through American history, debunks, in this historical novel of Burr's life, the common and casually held notion of the man as a scoundrel and an adventurer. Instead he appears as one of the 'host of choice spirits' forced to live among coarse, materialistic, hypocritical people, among them Jefferson and Hamilton. Here, the latter appears as a power-hungry 'parvenu' from the West Indies and the former as a semi-literate slave-owning tyrant. American politics, suggests Vidal, had a penchant for the vulgar. Even then.

Veering backwards to the revolution and the early days of the republic, stopping at dinner-parties on the way, and reaching forward to the future, Burr is a novel about treason, both the particular and in general. For what, asks Vidal, really belongs to whom? What properly belongs to the Constitution, to the nation, to the family even, intriguingly, to novelists and historians?

The Golden Age

by Gore Vidal

Published 19 September 2000

The seventh volume of what Vidal has entitled the "Narratives of Empire". In "The Golden Age", which offers a fictionalized version of American politics from 1940 to 2000, his main charge is that one of the most revered of all 20th-century presidents, Franklin D. Roosevelt, provoked, and then failed to warn his commanders about, the Japanese attack on Pearl Harbour. His deception was brought about by a poll which revealed that 60 per cent of Americans were opposed to any foreign war. The author uses a series of episodes to show how the US, through its leaders and not through events, became the most influential country in the world, as he reveals (imaginary) conversations in the White House, in newspaper offices and around Washington DC.

The Selected Essays of Gore Vidal

by Gore Vidal

Published 1 January 2008

Gore Vidal—novelist, playwright, critic, screenwriter, memoirist, indefatigable political commentator, and controversialist—is America's premier man of letters. No other living writer brings more sparkling wit, vast learning, indelible personality, and provocative mirth to the job of writing an essay.This long-needed volume comprises some twenty-four of his best-loved pieces of criticism, political commentary, memoir, portraiture, and, occasionally, unfettered score settling. It will stand as one of the most enjoyable and durable works from the hand and mind of this vastly accomplished and entertaining immortal of American literature.

Washington, D.C.

by Gore Vidal

Published 1 August 2000

With a New Introduction

Washington, D.C., is the final installment in Gore Vidal's Narratives of Empire,his acclaimed six-volume series of historical novels about the American past. It offers an illuminating portrait of our republic from the time of the New Deal to the McCar-thy era.

Widely regarded as Vidal's ultimate comment on how the American political system degrades those who participate in it, Washington, D.C. is a stunning tale of corruption and diseased ambitions. It traces the fortunes of James Burden Day, a powerful conservative senator who is eyeing the presidency; Clay Overbury, a pragmatic young congressional aide with political aspirations of his own; and Blaise Sanford, a ruthless newspaper tycoon who understands the importance of money and image in modern politics. With characteristic wit and insight, Vidal chronicles life in the nation's capital at a time when these men and others transformed America into "possibly the last empire on earth."

"Washington, D.C. may well be the finest of contemporary novels about the capital," said The New Yorker, and the Times Literary Supplement deemed it "a prodigiously skilled and clever performance."