Whitney Museum of American Art
2 total works
New York artist Terence Koh (b. China 1977) creates monochromatic environments, wherein minimalist and baroque aspects of his sensibility vie for dominance. From drifting-powder silencing rooms and constellations of cryptically linked objects to pristine, perfectly crafted containers that become coffins for shattered glass and mirrors, Koh's work plays on the melancholic beauty and sublime transcendence of emptiness. This book, produced in close collaboration with the artist and presented with text in both English and German, is published to coincide with the first solo museum presentation of Koh's work in the United States. The exhibition is a counterpart/reaction to an earlier show at the Kunsthalle Zurich (August-October 2006). Koh's work for the Whitney exhibition uses light as his material, transforming the gallery space into a seductive yet inaccessible diorama and creating a psychological interaction that evokes desire and loss, pain and hope. Beyond documenting these ephemeral works, this innovative catalogue, featuring a new series of drawings created by Koh, functions as a complement to the two installations.
This book accompanies the 2008 Biennial of the Whitney Museum of American Art, always a highly anticipated event in the art world. Inaugurated by Gertrude Vanderbilt Whitney in 1932, the Whitney's biennial exhibitions have received acclaim, stirred controversy, and unfailingly fostered artistic innovation and diversity. 'The 2008 Biennial' features some 85 artists and collectives working in many media and employing a variety of methods and practices.The book is abundantly illustrated, with the vast majority of its 300 images presented in colour. Whitney curators Henriette Huldisch and Shamim M. Momim provide insightful essays, as does a specially commissioned essay by Rebecca Solnit. In one section of the book, a short text accompanies reproductions of each artist's work; other sections present documentation of the artists' diverse methods and practices as represented in the Biennial exhibition.The Whitney Museum of American Art has vigorously supported the development of 20th- and 21st-century American art since its founding, and that commitment is reflected nowhere more clearly than in the sponsorship of the Biennial exhibition, the museum's signature survey of contemporary art.