Echoing Images

by Alisa LaGamma

Published 1 January 2004

Idealized pairings have been an enduring concern of sculptors across the African continent. This universal theme of duality is now examined in a handsome book that presents African sculptural masterpieces created in wood, bronze, terracotta, and beadwork from the twelfth to the twentieth centuries.

Drawn from thirty sub-Saharan African cultures, including those of the Dogon, Lobi, Baule, Senufo, Yoruba, Chamba, Jukun, Songye, and Sakalava, the sculptures tell much about each culture’s beliefs and social ideals. These artistic creations are astonishingly rich and diverse forms of expression. An essay written by Alisa LaGamma discusses thirty works, all of which are illustrated in color.



Published in association with The Metropolitan Museum of Art

Kongo

by Alisa LaGamma

Published 11 September 2015
A compelling examination of one of the most artistically rich and creative African kingdoms

Artists from the kingdom of Kongo—a vast swath of Central Africa that today encompasses the Republic of Congo, the Democratic Republic of Congo, and Angola—were responsible for outstanding creative achievements. With the influx of Portuguese, Dutch, and Italian merchants, missionaries, and explorers, Kongo developed a unique artistic tradition that blended European iconography with powerful indigenous art forms. An initially positive engagement with Europe in the 15th century turned turbulent in the wake of later displacement, civil war, and the slave trade—and many of the artworks created in Kongo reflect the changing times.
 
This comprehensive study is the first major catalogue to explore Kongo’s history, art forms, and cultural identity before, during, and after contact with Europe. Objects range from 15th-century “mother-and-child” figures, which reflect a time when Europeans and their Christian motifs were viewed favorably, to fearsome mangaaka, power figures that conveyed strength in the midst of the kingdom’s dissolution. Lavishly illustrated with new photography and multiple views of three-dimensional works, this book presents the fascinatingly complex artistic legacy of one of Africa’s most storied kingdoms. 

Published by The Metropolitan Museum of Art/Distributed by Yale University Press


Exhibition Schedule:

The Metropolitan Museum of Art 
(09/17/15–01/03/16)


Art and Oracle

by Alisa LaGamma

Published 1 January 2000
The catalogue to a major exhibition, this work showcases the art of such African divinatory systems as those of the Azande, Luba, Yaka, Yoruba and Malagasy. It considers them for both their artistry and as mediums through which divine insights may be revealed.

This informative and beautiful volume sheds light on the enduring significance of textiles as a major form of aesthetic expression across Africa, relating long-standing cultural practices to recent creative developments. Some of the finest and oldest preserved examples of West African textile traditions are presented, and both their artistic and technical qualities are examined. Wrapped around the body, fashioned into garments, or displayed as hangings, these magnificent textiles include bold strip weavings and intricately patterned indigo resist-dyed cloths. The influence of African textiles on contemporary artists is also explored, featuring artworks by eight individuals who work in media as far-ranging as sculpture, painting, photography, video, and installation art. A monumental metal tapestry by the Ghanaian El Anatsui that pays tribute to traditional kente prestige cloth while constituting an inventive new genre is discussed in detail.