New Mermaids Series

Volpone

by Ben Jonson

Published 1 January 1958

Renaissance comedy, first performed in 1605. Includes complete text in modernized English, critical and explanatory notes and Introduction. From the Yale Ben Jonson edition.

Every Man in his Humour

by Ben Jonson

Published December 1923

Renaissance comedy. Complete text, modernized English, critical and explanatory notes and Introduction. From the Yale ben Jonson edition.

This collaborative masterpiece of hilarious city comedy was performed by the Children of the Revels at the Blackfriars playhouse in 1605. The story is of an allegorical simplicity that lends itself to satire of civic mores and traditions as well as to parody of the sentimental, idealising London comedy presented at the amphitheatres in the suburbs: Goldsmith Touchstone, an upright London citizen, has one modest and one ambitious daughter, one righteous and one disreputable apprentice; virtue is rewarded, ruthlessness comes to grief - and receives a drenching in the muddy Thames. The introduction to this edition discusses various methods of establishing authorship and highlights the irony of the collaborators' comic vision of contemporary London life.

Bartholomew Fair

by Ben Jonson

Published 1 January 1960

Ben Jonson's comedy "Bartholomew Fair", which, after holding the stage for over a century, is now less well known, is offered here in an edition, based on the text of the first edition, which affords help to the modern producer and reader. In this play, written and acted in 1614, Jonson produced his first comedy since "The Alchemist" in 1610. Both that play and "Volpone" (1605) had presented an extraordinary variety of corrupt energies withing an intricate moral and aesthetic structure. To some critics, the looser construction and the less trenchant satire of "Bartholomew Fair" have seemed to show Jonson returning to the "loose multiplicity" of his earlier works. Horsman reconsiders this notion, illustrating how Jonson fills the play with "varied humours", which preserve the appearance of freedom while never actually losing control.

The Malcontent

by John Marston

Published 1 January 1967

A student edition of Marston's classic play The Malcontent is a tragicomedy deriving from the tradition of the revenge play. The verbal ingenuity of Malevole, the "malcontent", and the extravagance of the drama, push the relentlessness of intrigue to its logical conclusion, exposing the basically comic aspect of the genre. The conventional function of the climactic masque is inverted, leading to the essential resolution of the comedy.This edition comes with full commentary and notes, together with photos of Jonathan Miller's acclaimed 1973 production at the Nottingham Playhouse.

Epicoene or the Silent Woman

by Ben Jonson

Published 1 March 1979

'A silent and loving woman is a gift of the lord' This 'excellent comedy of affliction' enjoyed enormous prestige for more than a century after its first performance: for John Dryden it had 'the greatest and most noble construction of any pure unmixed comedy in any language'. Its title signals Jonson's satiric and complex concern with gender: the play asks not only 'what should a man do?', but how should men and women behave, both as fit examples of their sex, and to one another? The characters furnish a cross-section of wrong answers, enabling Jonson to create riotous entertainment out of lack, loss and disharmony, to the point of denying the straightfowardly festive conclusion which audiences at comedies normally expect. Much of the comic vitality arises from a degeneration of language, which Jonson called 'the instrument of society', into empty chatter or furious abuse, and from a plot which is a series of lies and betrayals (the hero lies to everyone and Jonson lies to the audience).
The central figure is a man named Morose, who hates noise yet lives in the centre of London, and who, because of his decision to marry a woman he supposes to be silent, exposes himself to a fantastic cacophony of voices, male, female and - epicene. This student edition contains a lengthy Introduction with background on the author, date and sources, theme, critical interpretation and stage history.