Saint Joan

by George Bernard Shaw

Published 18 January 1957
Exclusive to Penguin Classics: the definitive text of Shaw’s powerful historical drama about Joan of Arc, which led him to win the Nobel Prize for Literature—part of the official Bernard Shaw Library
 
A Penguin Classic


With Saint Joan, which distills many of the ideas Shaw had been exploring in earlier works on politics, religion, feminism, and creative evolution, he reached the height of his fame as a dramatist. Fascinated by the story of Joan of Arc, but unhappy with the way she had traditionally been depicted, Shaw wanted to remove “the whitewash which disfigures her beyond recognition.” He presents a realistic Joan: proud, intolerant, naïve, foolhardy, and brave—a rebel and a woman for Shaw’s time and our own.
 
This is the definitive text under the editorial supervision of Dan H. Laurence. The volume includes Shaw’s Preface of 1924; the cast list of the first production of Saint Joan; a chronology; and the essay “On Playing Joan” by Imogen Stubbs.

John Bull's Other Island

by George Bernard Shaw

Published 1 November 1904
Shaw's story is rife with such 'beyond opinions', as an Anglo-Irish Protestant, a Dubliner in London, and a socialist living in the aftermath of the industrial revolution. In one sense, as a Protestant choosing to live in London, he is a John Bull, yet he remains Irish - an Irish Bull, something alluded to in his one play set in Eire, John Bull's Other Island.


Caesar and Cleopatra

by George Bernard Shaw

Published December 1964
Exclusive to Penguin Classics: the definitive text of one of Shakespeare’s most affecting plays—part of the official Bernard Shaw Library

A Penguin Classic

In a cheeky nod to Shakespeare’s towering reputation, Shaw reinvents two of his historical characters but sets his own play in a period predating both Julius Caesar and Antony and Cleopatra. Shaw’s Cleopatra is a kittenish girl with a streak of cruelty, while his Caesar is a world-weary philosopher-soldier who is as much a stranger in Rome as in the barbaric court of Egypt. With wit, irony, and an undertone of melancholy, Caesar and Cleopatra satirizes Shakespeare’s use of history and comments wryly on the politics of Shaw’s own time.
 
This is the definitive text prepared under the editorial supervision of Dan H. Laurence. The volume includes Shaw’s preface of 1900.