Film Culture in Transition
4 total works
This first critical overview of the European film avant-garde ushers in a new approach and creates its own subject. Arguing that a European perspective is the only way to understand the film avant-garde of the 1920s and 1930s, Hagener provides a much-needed summary of the theory and practice of the movement. This incisive study also pioneers a new approach to the alternative cinema network that sustained the avant-garde, paying particular attention to the emergence of screening clubs, film festivals, and archives.
Documents the latest generation of cinephiles and their use of new technologies
Film Festivals: From European Geopolitics to Global Cinephilia
by Marijke de Valck
Published 1 January 2007
The first comprehensive study of film festivals that marks key historical moments and offers surprising insights into the workings of a highly influential cultural network