Oscar Wilde Classics
1 primary work • 10 total works
Book 2
In May of 1895 Oscar Wilde, the century's most dazzling man of letters, was sentenced to two years with hard labour for 'acts of gross indecency with another male person.' On his release he moved to France, where he wrote The Ballad of Reading Gaol: an indictment of the prison system and the death penalty, an anguished plea for prison reform, and a passionate expression of sympathy for his fellow prisoners, those 'souls in pain'. The Ballad of Reading Gaol was a success from its first publication, and to this day some of its lines are among the most famous in the English language. Peter Hay's powerful images are retained in this new edition which contains an Afterword by Peter Stoneley, drawing on unpublished material in the prison archives.
This play is based on an 1890's story by Oscar Wilde about Lord Arthur Savile's who is engaged to lovely Sybil Merton. Her pet chiromantist Podgers has read Lord Arthur's palm and foretold he would commit a murder. Lord Arthur desires a blissful married life and therefore feels duty bound to get the murder over with first. Despite help from his butler and the cheerful anarchist Winkelkopf, attempt after attempt fails.-5 women, 5 men
A publication of 1891, A House of Pomegranates is a collection of fairy tales written by Oscar Wilde. It is a magical and mystical presentation that presents grand characters such as princes, princesses, dwarfs, mermaids, and a star-child. The work presents the most beautiful and the most revealing ideas about inner and outer beauty; it preaches that kindness and humbleness are true splendours of the soul. This fictional creation reveals an admiration for the sensual splendour and male beauty.
Written from Wilde's prison cell at Reading Gaol to his friend and lover Lord Alfred Douglas, De Profundis explodes the conventions of the traditional love letter and offers a scathing indictment of Douglas's behavior, a mournful elegy for Wilde's own lost greatness, and an impassioned plea for reconciliation. At once a bracingly honest account of ruinous attachment and a profound meditation on human suffering, De Profundis is a classic of gay literature. Richard Ellmann calls De Profundis "a love letter...One of the greatest, and the longest, ever written."
This Modern Library Paperback Classics edition contains newly commissioned notes.
This Modern Library Paperback Classics edition contains newly commissioned notes.
When Sir Robert Chiltern is threatened with blackmail and the ruin of his political career, his only escape is to turn the tables on the blackmailer. This play blends farce and morality to explore human frailty and social hypocrisy.
Originally published in 1891 when Wilde was at the height of his form, these brilliant essays on art, literature, criticism, and society display the flamboyant poseur's famous wit and wide learning. A leading spokesman for the English Aesthetic movement, Wilde promoted "art for art's sake" against critics who argued that art must serve a moral purpose. On every page of this collection the gifted literary stylist admirably demonstrates not only that the characteristics of art are "distinction, charm, beauty, and imaginative power," but also that criticism itself can be raised to an art form possessing these very qualities.
In the opening essay, Wilde laments the "decay of Lying as an art, a science, and a social pleasure." He takes to task modern literary realists like Henry James and Emile Zola for their "monstrous worship of facts" and stifling of the imagination. What makes art wonderful, he says, is that it is "absolutely indifferent to fact, [art] invents, imagines, dreams, and keeps between herself and reality the impenetrable barrier of beautiful style, of decorative or ideal treatment."
The next essay, "Pen, Pencil, and Poison," is a fascinating literary appreciation of the life of Thomas Griffiths Wainewright, a talented painter, art critic, antiquarian, friend of Charles Lamb, and -- murderer.
The heart of the collection is the long two-part essay titled "The Critic as Artist." In one memorable passage after another, Wilde goes to great lengths to show that the critic is every bit as much an artist as the artist himself, in some cases more so. A good critic is like a virtuoso interpreter: "When Rubinstein plays ... he gives us not merely Beethoven, but also himself, and so gives us Beethoven absolutely...made vivid and wonderful to us by a new and intense personality. When a great actor plays Shakespeare we have the same experience."
Finally, in "The Truth of Masks," Wilde returns to the theme of art as artifice and creative deception. This essay focuses on the use of masks, disguises, and costume in Shakespeare.
For newcomers to Wilde and those who already know his famous plays and fiction, this superb collection of his criticism offers many delights.
In the opening essay, Wilde laments the "decay of Lying as an art, a science, and a social pleasure." He takes to task modern literary realists like Henry James and Emile Zola for their "monstrous worship of facts" and stifling of the imagination. What makes art wonderful, he says, is that it is "absolutely indifferent to fact, [art] invents, imagines, dreams, and keeps between herself and reality the impenetrable barrier of beautiful style, of decorative or ideal treatment."
The next essay, "Pen, Pencil, and Poison," is a fascinating literary appreciation of the life of Thomas Griffiths Wainewright, a talented painter, art critic, antiquarian, friend of Charles Lamb, and -- murderer.
The heart of the collection is the long two-part essay titled "The Critic as Artist." In one memorable passage after another, Wilde goes to great lengths to show that the critic is every bit as much an artist as the artist himself, in some cases more so. A good critic is like a virtuoso interpreter: "When Rubinstein plays ... he gives us not merely Beethoven, but also himself, and so gives us Beethoven absolutely...made vivid and wonderful to us by a new and intense personality. When a great actor plays Shakespeare we have the same experience."
Finally, in "The Truth of Masks," Wilde returns to the theme of art as artifice and creative deception. This essay focuses on the use of masks, disguises, and costume in Shakespeare.
For newcomers to Wilde and those who already know his famous plays and fiction, this superb collection of his criticism offers many delights.
A beautiful, golden, jewel-studded statue and a little swallow give all they have to help the poor.
Oscar Wilde was already one of the best-known literary figures in Britain when he was persuaded to turn his extraordinary talents to the theatre. Between 1891 and 1895 he produced a sequence of distinctive plays which spearheaded the dramatic renaissance of the 1890s and retain their power today. This collection offers newly edited texts of Lady Windermere's Fan, A Woman of No Importance, Salome, An Ideal Husband, and, arguably the greatest farcical comedy in English, The Importance of Being Earnest.
