The Buildings of England
1 primary work • 40 total works
The county's remarkable and richly varied military architecutre, from Hadrian's Wall to Warkworth, contrasts with monastic ruins buried deep in the valleys of the Coquet and the Aln or standing proudly by the sea at Holy Island and Tynemouth. Newcastle upon Tyne has the most elegant nineteenth-century city centre in England. Elsewhere the distinctive smaller towns include Alnwick, dominated by its castle, Hexham with its priory, brick-built Morpeth, and Berwick-upon-Tweed, ringed with exceptional sixteenth-century fortifications. Great country houses range from Vanbrugh's theatrical Seaton Delaval to Sir Charles Monck's austere Belsay and Norman Shaw's romantic Cragside. Monuments of a great industrial past, as well as a wealth of smaller buildings, such as bastle houses (peelhouses or stronghouses unique to the Border country), are all vividly described in this revised guide to Northumberland's architectural pleasures.
First published in 1964, this text has been expanded to include coverage of 19th and 20th century architecture, industrial archaeology and lesser rural buildings. The way in which buildings relate to their surroundings is also considered.
An area of extreme contrasts, from the close-packed but proudly independent textile towns north of Manchester to the romantic scenery of the southern Lake District, and from high Pennine moors to the sandy beaches of Bloackpool and the Fylde Coast. Wordsworth's poem describes how the beauty of the ruins of Furness Abbey reduced even a gang of railway navvies to reverential silence. Many gentry houses display a tenacious local brand of Jacobean; others, including the Pugins' Scarisbrick, demonstrate the strong local affinity with the Gothic Revival. Voysey's internationally important Arts-and-Crafts houses in Lakeland sit happily alongside the whitewashed local cottages.
"Somerset is a serene county, varied in mood more than most, yet always mild", wrote Pevsner, drawing attention to its freedom from the extremes of its neighbouring counties. Highlights of this volume are a full account of the Georgian marvels of Bath, and a separate section on the port of Bristol, whose sumptuous Victorian commercial buildings are among the best of their date in England. The fourteenth-century Nunney Castle and John Nash's picturesque Blaise Hamlet are perfect examples of their type, while the cathedrals of Wells and Bristol and the Decorated Gothic of St Mary Redcliffe, Bristol, inspired some of Pevsner's most eloquent writing on the character of English Gothic architecture.
Some of England's grandest country houses are to be found in this prosperous rural midland county with its excellent local building stone from the limestone belt. The Elizabethan Renaissance Kirby Hall, the late seventeenth century French-inspired Boughton, Hawksmoor's stately Baroque Easton Neston and the interiors of Althorp provide a fascinating survey of changing taste through the centuries. The great houses are complemented by smaller buildings of great character, supreme among them Sir Thomas Tresham's eccentric and ingenious Triangular Lodge at Rushton. Of no less interest in this county of "spires and squires" are the fine village churches, from Early Saxon Brixworth to the noble early Gothic buildings which so inspired the Victorians.
London Docklands is a new paperback addition to Pevsner's Buildings of England series. Elizabeth Williamson provides an enlightening record of the historical character of the Docklands as well as describing the new and vital changes in recent architecture. With the aid of numerous text figures and excellent photographs (many of them specially taken by the Royal Commission on Historical Monuments), this book provides a valuable and handy guide as well as a reference tool enchanced by extensive indexes and glossary.
A full account of Cambridge begins this volume, tracing its development prior to the University and continuing with the architectural splendours that have appeared since. Cambridge's architectural highlights are numerous. From the medieval college precincts, built throughout the town and marked out by their turreted gatehouses, to Wren's Trinity Library, through the period of Victorian expansion and on to the ambitious and innovative buildings of the 20th century. In the county itself the most notable monument is Ely Cathedral with its unique octagonal crossing, and the Georgian river port of Wisbech is especially attractive, while Wimpole Hall exemplifies the grandeur of the major country houses. Substantial survivals of timber-framed buildings are more modest in scale but no less significant. Cambridgeshire architecture cannot fail to delight.
A comprehensive guide to the buildings of Cheshire in all their variety, from Pennine villages to coastal plains and seaside resorts. Chester, the regional capital and cathedral city, is famous for its Roman walls and black-and-white timber architecture, its noble Neoclassical monuments, and its unique medieval shopping 'rows' with their upper walkways. But Cheshire is also a major industrial county, with spectacular and internationally significant mills and canal structures. Specialist settlements include the famous railway borough of Crewe, the salt towns of Nantwich, Northwich and Middlewich, and Lord Leverhulme's celebrated garden suburb at Port Sunlight.
Highlights of this fully revised and updated guide are the magnificent medieval fortresses of Warwick and Kenilworth Castles, but this county is also home to some of the most significant developments of England's postwar modern architecture, notably the rebuilt city center of Coventry destroyed in the Blitz. Leamington Spa has fine terraces of the Regency period but most famous of all is the market town of Stratford-upon-Avon where William Shakespeare was born and educated and the houses associated with his family are preserved. Also featured are the area's greatest country houses, from Tudor Compton Wynyates and the moated Baddesley Clinton to Baroque Stoneleigh, Palladian Ragley, and Arbury Hall, one of the finest mansions of the Gothic Revival.
This is the essential guide to the architecture of Pevsner's "county of contrasts," home to an amazingly diverse assortment of landmarks. Among Derbyshire's many distinguished country houses are Haddon Hall and Hardwick Hall. 17th-century highlights include the adventurous architecture of Bolsover Castle and the Baroque splendors of Chatsworth, while the dazzling Neoclassical interiors of Kedleston Hall are the summit of the county's many Georgian achievements. Numerous spa towns, pioneering industrial settlements, and parish churches from Anglo-Saxon to modern are also included. The settings range from the Trent valley to the sublime landscape of the Peak District, making Derbyshire one of England's most visually arresting counties.
This is an introduction to the architecture of the East Riding of Yorkshire, studying in detail the buildings in the area.
Leicestershire and Rutland
by Nikolaus Pevsner and Dr Elizabeth Williamson
Published 30 September 1970
Pevsner wrote that "Leicestershire is not a county of extremes" and agreed that "no other county in England surpasses Rutland for unspoiled quiet charm". The large and the small Midland county possess a varied and rewarding range of buildings. Church architecture encompasses the classical Normanton, preserved in remote isolation from the flood of Rutland Water, to Market Harborough with its elegant medieval steeple, and a fine group of Victorian churches in Leicester. The major country houses include Belvoir Castle, Staunton Harold and Burley-on-the-Hill, while the more modest homes of the late 19th century include notable work by Ernest Gimson,Voysey and a garden city at Leicester by Parker & Unwin. Leicestershire also posseses fine modern buildings, from its architecturally progressive schools to the justly renowned buildings of Leicester University, dominated by Stirling & Gowan's Engineering Building.
At the heart of this volume lies a discussion of Canterbury and its outstanding Cathedral, site of St Thomas a Becket's shrine and significant in countless ways for the history of medieval art and architecture but especially memorable for its stunning stained glass. Other churches vary from remains of St Augustine's early Anglo-Saxon mission churches to Pugin's St Augustine at Ramsgate. Smaller buildings demonstrate Kent's especially fine and varied mixture of materials: the native ragstone and flint, exceptionally good brick and tile, and timber-framed hall houses, indicative of Kent's wealth in the 15th century. But Kent looks towards the Continent too, its defensive and marine history marked by its medieval and sixteenth century castles - such as Deal and Chilham - and coastal towns and ports as different as Dover and Ramsgate.
Surrey's architecture is a constantly surprising mix of the rural and urban with many of its most important buildings, such as 17th century Ham House, found amongst the outgrowth of London itself. The landscape gardens of Painshill and Claremont attest to Surrey's popularity in the 18th century and the county's enthusiasm for follies and remarkable garden buildings. More recent architecture includes notable early works by Lutyens, with gardens by Gertrude Jekyll, inspired by the rich stock of late medieval farmhouses and tile-hung cottages in the county's southern villages. Among inter-war suburban housing there are some exceptional Modernist homes, such as The Homewood by Patrick Gwynne. Church architecture in Surrey includes work by all of the great names of the Gothic Revival; not least of its surprises is the luminous and spacious interior of Guildford Cathedral.
Exeter Cathedral is but the crowning glory of Devon's wealth of medieval churches, replete with sumptuous fittings and monuments. The county's peak of prosperity from the late Middle Ages to the seventeenth-century is reflected too in its castles, its secluded manor houses, and its scores of sturdily built farmhouses. The delights of Devon's well loved seaside and country towns are explored from the distinctive merchants' houses of Totnes and Topsham to the elegant Regency crescents of Teignmouth and Sidmouth. The picture is completed by accounts of the creation of the docks at Plymouth, industrial relics, and the substantial but little known store of Devon's Victorian churches.
Throughout the world in the last thirty years, docks have been closed and docklands redeveloped. This book focuses on London's docklands, regenerated since 1981 with the help of the London Docklands Development Corporation. The gradual growth of Thames-side wharves and the building of the great enclosed docks after 1800 have left a rich legacy of pioneering dock structures grafted on to, and transforming, a venerable riverside pattern. Two Baroque Hawksmoor churches, St George-in-the-East and St Anne, Limehouse, belong to old riverside communities where Victorian warehouses stand cheek-by-jowl with Georgian houses, achools and churches. The great warehouses near Tower Bridge have been imaginatively converted to form new urban quarters enjoyed by tourists and Londoners. Exciting new architecture can be found from Bermondsey, where CZWG's bright-red China Wharf contrast with sensitive infill by Michael Hopkins, to East India Docks, with its high-tech buildings by Rogers and Grimshaw. Over all, the beacon of Cesar Pelli's gleaming tower advertises Canary Wharf, that slice of North America on the Isle of Dogs and a landmark for the whole of the evolving Docklands.
Elizabeth Williamson provides an enlightening record of the historical character of the Docklands as well as describing the new and vital changes in recent architecture. With the aid of numerous text figures and excellent photographs (many of them specially taken by the Royal Commission on Historical Monuments), this book provides a valuable and handy guide as well as a reference tool enhanced by extensive indexes and a glossary.
Elizabeth Williamson provides an enlightening record of the historical character of the Docklands as well as describing the new and vital changes in recent architecture. With the aid of numerous text figures and excellent photographs (many of them specially taken by the Royal Commission on Historical Monuments), this book provides a valuable and handy guide as well as a reference tool enhanced by extensive indexes and a glossary.
From prehistoric Stonehenge and Avebury to railway age Swindon, the rolling countryside of Wiltshire encompasses every aspect of English building. Thirteenth century Salisbury cathedral is set in a spacious close, within a planned medieval town, which boasts Georgian delights such as Mompesson House. Towns and villages range from Marlborough with its sweeping High Street to the exceptional Lacock, in the shadow of its abbey's remains, remodelled as an eighteenth century Gothick fantasy. The great country houses include some of the finest in England: Palladian Wilton, with which Inigo Jones was involved, Stourhead set in its evocative classical landscape, the elegant 18th-century Bowood and the mellow Bath stone of Corsham Court.