Imprint lives
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'I am not a born writer, but I must say that when I have actually launched myself I get the profoundest and most passionate satisfaction from writing.'-Christina Stead A Web of Friendship is a collection of Christina Stead's intimate correspondence with influential literary figures such as Stanley Burnshaw, Ettore Rella, Nettie Palmer, Clem Christesen, Elizabeth Harrower and A.D. Hope. These letters span the life of one of Australia's most illustrious writers, offering a rare insight into the relationships that influenced and sustained her work. They reveal Stead's reflections on the art of literature, the development of her political thought, and the significance of a handful of friendships that would endure throughout her life and career. The letters cover Stead's arrival in England in 1928, as well as her time abroad in Europe and the United States. They also detail her marriage to William Blake, their life in England where they settled in 1953, as well as her brief return to Australia and her final years in England following Blake's death.
'I am not a born writer but ... I get the profoundest, most passionate satisfaction from writing' Christina Stead
Letter writing was a vital part of Christina Stead's creative life and it grew increasingly important in her last decade. It was how she engaged with the outside world and became the focus of her writing energies. Stead was a vivacious, funny, erudite, expansive and witty correspondent. It was a practice she enjoyed, answering all correspondence she received, including Elizabeth Harrower, Stanley Burnshaw, Dorothy Green and H C Coombs.
Beginning in England in 1973, the letters in Talking into the Typewriter span her return to Australia in 1973 until her death in 1983. Politics, friends and family, literary accolades and achievements, pets and reminiscences are all dissected, canvassed and considered.
Letter writing was a vital part of Christina Stead's creative life and it grew increasingly important in her last decade. It was how she engaged with the outside world and became the focus of her writing energies. Stead was a vivacious, funny, erudite, expansive and witty correspondent. It was a practice she enjoyed, answering all correspondence she received, including Elizabeth Harrower, Stanley Burnshaw, Dorothy Green and H C Coombs.
Beginning in England in 1973, the letters in Talking into the Typewriter span her return to Australia in 1973 until her death in 1983. Politics, friends and family, literary accolades and achievements, pets and reminiscences are all dissected, canvassed and considered.