Maurice Merleau-Ponty is one of the few major phenomenologists to engage extensively with empirical research in the sciences, and the only one to examine child psychology with rigor and in such depth. His writings have recently become increasingly influential, as the findings of psychology and cognitive science inform and are informed by phenomenological inquiry. Merleau-Ponty's Sorbonne lectures of 1949 to 1952 are a broad investigation into child psychology, psychoanalysis, pedagogy, phenomenology, sociology, and anthropology. They argue that the subject of child psychology is critical for any philosophical attempt to understand individual and intersubjective existence. Talia Welsh's new translation provides Merleau-Ponty's complete lectures on the seminal engagement of phenomenology and psychology.


The Visible and the Invisible contains the unfinished manuscript and working notes of the book Merleau-Ponty was writing when he died. The text is devoted to a critical examination of Kantian, Husserlian, Bergsonian, and Sartrean method, followed by the extraordinary "The Intertwining - The Chiasm", that reveals the central pattern of Merleau-Ponty's own thought. The working notes for the book provide the reader with a truly exciting insight into the mind of the philosopher at work as he refines and develops new pivotal concepts.

La Nature

by Maurice Merleau-Ponty

Published 12 November 2003
Collected here are the written traces of courses on the concept of nature given by Maurice Merleau-Ponty at the Collège de France in the 1950s-notes that provide a window on the thinking of one of the most influential philosophers of the twentieth century. In two courses distilled by a student and in a third composed of Merleau-Ponty's own notes, the ideas that animated the philosopher's lectures and that informed his later publications emerge in an early, fluid form in the process of being elaborated, negotiated, critiqued, and reconsidered.

Merleau-Ponty's project in these courses is an interrogation of nature, a task at the center of his investigation of perception, truth, and subjectivity. The first course, a survey of the historical elements in our concept of nature, examines first the Cartesian concept of nature and then historical and contemporary responses to Descartes, all with an eye toward developing a vision of nature more consistent with the findings of contemporary science.

In the second course, Merleau-Ponty takes up the problem of the relation of nature to ontology in general. Here, the key question is how the animal finds itself in its world. Because the human body is ultimately "an animal of movements and perceptions," humanity is intertwined with animality.

In the third course, "Nature and Logos: The Human Body," Merleau-Ponty assesses his previous findings and examines the emergence of the human body at the intersection of nature and Logos. This course, contemporaneous with the working notes for The Visible and the Invisible, allows us to observe the evolution of that work as well as to revisit the research he had begun in Primacy of Perception.

In these traces: a new reading of Descartes; a measured appreciation of Schelling; an assessment of recent developments in the sciences (both physical and biological) that leads to the notion of the body as a "system of equivalencies"; and an examination of the phenomenon of life. We have a wealth of material that allows us to reconsider Merleau-Ponty's thinking and to engage his philosophical project anew.

Before his death in 1961, Maurice Merleau-Ponty was chair in philosophy at the Collège de France.

Robert Vallier is completing his doctoral work on Merleau-Ponty and Schelling at DePaul University. He has also taught at the Universite de Paris-X (Nanterre) and at the College Internationale de Philosophie.


Institution and Passivity is based on course notes for classes taught at the Bibliotheque Nationale de Paris. Philosophically, this collection connects the issue of passive constitution of meaning with the dimension of history, furthering discussions and completing arguments started in The Visible and the Invisible and Signs (both published by Northwestern). Leonard Lawlor and Heath Massey's translation makes available to an English-speaking readership a critical transitional text in the history of phenomenology.

The Sensible World and the World of Expression was a course of lectures that Merleau-Ponty gave at the College de France after his election to the chair of philosophy in 1952. The publication and translation of Merleau-Ponty's notes from this course provide an exceptional view into the evolution of his thought at an important point in his career.

In these notes, we see that Merleau-Ponty's consideration of the problem of the perception of movement leads him to make a self-critical return to Phenomenology of Perception in order to rethink the perceptual encounter with the sensible world as essentially expressive, and hence to revise his understanding of the body schema accordingly in terms of praxical motor possibilities. Sketching out an embodied dialectic of expressive praxis that would link perception with art, language, and other cultural and intersubjective phenomena, up to and including truth, Merleau-Ponty's notes for these lectures thus afford an exciting glimpse of how he aspired to overcome the impasse of ontological dualism.

Situated midway between Phenomenology of Perception and The Visible and the Invisible, these notes mark a juncture of crucial importance with regard to Merleau-Ponty's later efforts to work out the ontological underpinnings of phenomenology in terms of a new dialectical conception of nature and history.


Maurice Merleau-Ponty (French pronunciation: [moRis meRlopo ti]) (14 March 1908 - 3 May 1961) was a French phenomenological philosopher, strongly influenced by Karl Marx, Edmund Husserl and Martin Heidegger in addition to being closely associated with Jean-Paul Sartre (who later stated he had been "converted" to Marxism by Merleau-Ponty) and Simone de Beauvoir. At the core of Merleau-Ponty's philosophy is a sustained argument for the foundational role that perception plays in understanding the world as well as engaging with the world. Like the other major phenomenologists, Merleau-Ponty expressed his philosophical insights in writings on art, literature, linguistics, and politics. He was the only major phenomenologist of the first half of the twentieth century to engage extensively with the sciences and especially with descriptive psychology.

The work that Maurice Merleau-Ponty planned to call The Prose of the World, or Introduction to the Prose of the World, was unfinished at the time of his death. The book was to constitute the first section of a two-part work whose aim was to offer, as an extension of his Phenomenology of Perception, a theory of truth. This edition's editor, Claude Lefort, has interpreted and transcribed the surviving typescript, reproducing Merleau-Ponty's own notes and adding documentation and commentary.

Maurice Merleau-Ponty (1908-1961) is well known for his work in phenomenology, but his lectures in child psychology and pedagogy have received little attention, probably because Talia Welsh translated the lectures in their entirety only in 2010. The Child as Natural Phenomenologist summarises Merleau-Ponty's work in child psychology, shows its relationship to his philosophical work, and argues for its continued relevance in contemporary theory and practice. Welsh demonstrates Merleau-Ponty's unique conception of the child's development as inherently organised, meaningful, and engaged with the world, contrary to views that see the child as largely internally preoccupied and driven by instinctual demands. Welsh finds that Merleau-Ponty's ideas about human psychology remain relevant in today's growing field of child studies and that they provide important insights for philosophers, sociologists, and psychologists to better understand the human condition.

Combining Maurice Merleau-Ponty's 1960 course notes on Edmund Husserl's The Origin of Geometry, his course summary, related texts, and critical essays, this collection offers a unique and welcome glimpse into both Merleau-Ponty's nuanced reading of Husserl's famed late writings and his persistent effort to track the very genesis of truth through the incarnate idealization of language.

Signs

by Maurice Merleau-Ponty

Published 1 December 1964