Countess of Harleigh Mystery
8 primary works
Book 1
Frances Wynn, the American-born Countess of Harleigh, enjoys more freedom as a widow than she did as a wife. After an obligatory year spent mourning her philandering husband, Reggie, she puts aside her drab black gowns, leaving the countryside and her money-grubbing in-laws behind. With her young daughter in tow, Frances rents a home in Belgravia and prepares to welcome her sister, Lily, arriving from New York—for her first London season.
No sooner has Frances begun her new life than the ghosts of her old one make an unwelcome appearance. The Metropolitan police receive an anonymous letter implicating Frances in her husband’s death. Frances assures Inspector Delaney of her innocence, but she’s also keen to keep him from learning the scandalous circumstances of Reggie’s demise. As fate would have it, her dashing new neighbor, George Hazelton, is one of only two other people aware of the full story.
While busy with social engagements on Lily’s behalf, and worrying if Reggie really was murdered, Frances learns of mysterious burglaries plaguing London’s elite. The investigation brings death to her doorstep, and Frances rallies her wits, a circle of gossips, and the ever-chivalrous Mr. Hazelton to uncover the truth. A killer is in their midst, perhaps even among her sister’s suitors. And Frances must unmask the villain before Lily’s season—and their lives—come to a most unseemly end . . .
Book 2
Though American by birth, Frances Wynn, the now-widowed Countess of Harleigh, has adapted admirably to the quirks and traditions of the British aristocracy. On August twelfth each year, otherwise known as the Glorious Twelfth, most members of the upper class retire to their country estates for grouse-shooting season. Frances has little interest in hunting—for birds or a second husband—and is expecting to spend a quiet few months in London with her almost-engaged sister, Lily, until the throng returns.
Instead, she’s immersed in a shocking mystery when a friend, Mary Archer, is found murdered. Frances had hoped Mary might make a suitable bride for her cousin, Charles, but their courtship recently fizzled out. Unfortunately, this puts Charles in the spotlight—along with dozens of others. It seems Mary had countless notes hidden in her home, detailing the private indiscretions of society’s elite. Frances can hardly believe that the genteel and genial Mary was a blackmailer, yet why else would she horde such juicy tidbits?
Aided by her gallant friend and neighbor, George Hazelton, Frances begins assisting the police in this highly sensitive case, learning more about her peers than she ever wished to know. Too many suspects may be worse than none at all—but even more worrying is that the number of victims is increasing too. And unless Frances takes care, she’ll soon find herself among them . . .
Book 3
London is known for its bustle and intrigues, but the sedate English countryside can host—or hide—any number of secrets. Frances, the widowed Countess of Harleigh, needs a venue for her sister Lily’s imminent wedding, away from prying eyes. Risings, George Hazleton’s family estate in Hampshire, is a perfect choice, and soon Frances, her beloved George, and other guests have gathered to enjoy the usual country pursuits—shooting, horse riding, and romantic interludes in secluded gardens.
But the bucolic setting harbors a menace, and it’s not simply the arrival of Frances’s socially ambitious mother. Above and below stairs, mysterious accidents befall guests and staff alike. Before long, Frances suspects these “accidents” are deliberate, and fears that the intended victim is Lily’s fiancé, Leo. Frances’s mother is unimpressed by Lily’s groom-to-be and would much prefer that Lily find an aristocratic husband, just as Frances did. But now that Frances has found happiness with George—a man who loves her for much more than her dowry—she heartily approves of Lily’s choice. If she can just keep the couple safe from villains and meddling mamas.
As Frances and George search for the culprit among the assembled family, friends, and servants, more victims fall prey to the mayhem. Mishaps become full-blooded murder, and it seems that no one is safe. And unless Frances can quickly flush out the culprit, the peal of wedding bells may give way to another funeral toll. . . .
Book 4
For Frances Wynn, widow to the late Earl of Harleigh, life has a cosmopolitan flavor of late. No sooner has she sent her mother and daughter off on a shopping trip to Paris than she and her fiancé, George Hazleton, are socializing with visiting members of the Russian royal family. Yet amid this whirlwind, scandal also comes calling when Inspector Delaney turns up outside Frances's house with a young French woman with a shocking claim: she is Mrs. George Hazelton.
As the future Mrs. George Hazelton, Frances assumes the woman is either lying or demented. "Mrs. Hazelton," aka Irena, makes other outrageous statements. Among them, she insists that she is the illegitimate daughter of Russian royalty, that she has been abducted and held for ransom many times, and that someone is sending her threatening letters. When George arrives, he clarifies that he is certainly not married to Irena--though he can confirm her royal parentage. But even as he agrees to investigate whether Irena's life is in danger, her claim proves tragically true. Irena is found strangled in Frances' garden.
To uncover a killer--and clear their own names--Frances and George must determine which of Irena's outlandish stories were based in fact, and who stood to benefit from her death. And as the search reaches a shocking conclusion, they may find that villainy lurks all too close to home...
Book 5
Book 6
With her new husband George busy on a special mission for the British Museum, Frances has taken on an assignment of her own. The dowager Viscountess Winstead needs someone to sponsor her niece, Kate, for presentation to Queen Victoria. Frances—who understands society’s quirks and constraints as only an outsider can—is the perfect candidate.
Kate is charming and intelligent, though perhaps not quite as sheltered as she might first appear. More worrying to Frances is the viscountess’s sudden deterioration. The usually formidable dowager has become shockingly frail, and Frances suspects someone may be drugging her. The spotlight falls on Kate, who stands to inherit if her aunt passes, yet there are plenty of other likely candidates within the dowager’s household, both above and belowstairs.
Joining forces with her beloved George, Frances comes to believe that the late viscount, too, was targeted. And with the dowager seeming to be in greater danger every day, they must flush out the villain before she follows in her husband’s footsteps, directly to the grave . . .
Book 7
Frances and her husband, George, have two points of interest in Paris. One is an impromptu holiday to visit the Paris Exposition. The other is personal. George’s Aunt Julia has requested her nephew’s help in looking into the suspicious death of renowned artist Paul Ducasse. Though Julia is not entirely forthcoming about her reasons, she is clearly a woman mourning a lost love.
At the exposition, swarming with tourists, tragedy casts a pall on the festivities. A footbridge collapses. Julia is among the casualties. However, she was not just another fateful victim. Julia was stabbed to death amid the chaos. With an official investigation at a standstill, George and Frances realize that to solve the case they must dig into Julia’s life—as well as Paul’s—and question everything and everyone in Julia’s coterie of artists and secrets.
They have no shortage of suspects. There is Paul’s inscrutable widow, Gabrielle. Paul’s art dealer and manager, Lucien. Julia’s friend Martine, a sculptress with a jealous streak. And art jurist, Monsieur Beaufoy. The investigation takes a turn when it’s revealed that George has inherited control of Julia’s estate—and another of her secrets. While George investigates, Frances safeguards their new legacy, and is drawn further into danger by a killer determined to keep the past buried.
Book 8
Frances and George are enjoying some well-deserved leisure time in Paris when an old acquaintance from London, Alicia Stoke-Whitney, seeks Frances’s help to investigate a personal matter. Alicia’s daughter is being courted by Carlson Deaver, a wealthy American shadowed by a very suspicious tragedy.
Less than a year ago, Carlson’s wife, a former actress, was murdered, her body discovered in one of the more dubious quartiers in Paris. Though authorities guess it was a robbery gone wrong, no one was ever brought to justice. Until Daniel Cadieux, Inspector for the Sûreté, follows a startling new lead. None other Sarah Bernhardt, legendary icon of the Paris stage, receives a piece of jewelry stolen from the victim, along with an incriminating note: I know what you did.
It opens a new door for the Hazeltons’ investigation, as well. But not a soul believes that the Divine Sarah would become entangled in something so disreputable as murder—even if she and the late Mrs. Deaver did have a history of theatrical clashes. Amid questions of revenge, blackmail, scandals, and secrets, more poisoned pen letters follow, and suspects abound. Now it’s up to Francis and George to infiltrate the most elite social circles of Paris, and find a culprit before another victim faces their final act.