Cambridge Library Collection - Classics
3 primary works • 9 total works
Volume 1
Friedrich Gottlieb Welcker (1784-1868) was one of the most engaging and creative of German philologists during the formative period of modern classical scholarship; 'one of the heroes', Wilamowitz called him. Art, poetry and religion were to him all the same object of study, and a key to the world of Greek imagination and feeling. His attempt to grasp the meaning of all Greek mythology gave impetus to a still vigorous tradition. This work (in two volumes, first published 1835 and 1849) is his effort to recover the lost epics of the archaic period, and the conditions of their performance and transmission. If his adventurous reconstructions, here and in his companion work on Greek tragedy, do not always command assent, they offer many brilliant observations and insights. His influence has been as diffuse as it is unacknowledged; again and again one finds on reading him that Welcker said it first.
Volume 2
Die Griechischen Tragödien mit Rücksicht auf den Epischen Cyclus
by Friedrich Gottlieb Welcker
Published 10 April 2011
Friedrich Gottlieb Welcker (1784–1868) championed a comprehensive approach to antiquity, embracing history, literature, art and religion. This, and his openness to contemporary philosophical ideas about aesthetics and mythology, gave his work a visionary quality that inspired later figures as diverse as Usener and Wilamowitz. In this three-volume work on tragedy, his largest, published between 1839 and 1841, he attempts to reconstruct all the lost trilogies and tetralogies of Greek tragic theatre, insisting on their artistic unity, and demonstrating their fundamental debt to the Epic Cycle (which he had investigated in his Der Epische Cyclus, also reissued in this series). Amid much that is fantastic he made many brilliant discoveries, such that he must still be consulted by all serious students of the subject. Volume 1 deals with the period and plays of Aeschylus and Sophocles.
Volume 2
Friedrich Gottlieb Welcker (1784–1868) was one of the most engaging and creative of German philologists during the formative period of modern classical scholarship; 'one of the heroes', Wilamowitz called him. Art, poetry and religion were to him all the same object of study, and a key to the world of Greek imagination and feeling. His attempt to grasp the meaning of all Greek mythology gave impetus to a still vigorous tradition. This work (in two volumes, first published 1835 and 1849) is his effort to recover the lost epics of the archaic period, and the conditions of their performance and transmission. If his adventurous reconstructions, here and in his companion work on Greek tragedy, do not always command assent, they offer many brilliant observations and insights. His influence has been as diffuse as it is unacknowledged; again and again one finds on reading him that Welcker said it first.
Die Griechischen Tragoedien mit Rucksicht auf den Epischen Cyclus 3 Volume Set
by Friedrich Gottlieb Welcker
Published 20 April 2011
Friedrich Gottlieb Welcker (1784-1868) championed a comprehensive approach to antiquity, embracing history, literature, art and religion. This, and his openness to contemporary philosophical ideas about aesthetics and mythology, gave his work a visionary quality that inspired later figures as diverse as Usener and Wilamowitz. In this three-volume work on tragedy, his largest, published between 1839 and 1841, he attempts to reconstruct all the lost trilogies and tetralogies of Greek tragic theatre, insisting on their artistic unity, and demonstrating their fundamental debt to the Epic Cycle (which he had investigated in his Der Epische Cyclus, also reissued in this series). Amid much that is fantastic he made many brilliant discoveries, such that he must still be consulted by all serious students of the subject.
Die Griechischen Tragoedien mit Rucksicht auf den Epischen Cyclus: Volume 3
by Friedrich Gottlieb Welcker
Published 5 June 2015
Friedrich Gottlieb Welcker (1784-1868) championed a comprehensive approach to antiquity, embracing history, literature, art and religion. This, and his openness to contemporary philosophical ideas about aesthetics and mythology, gave his work a visionary quality that inspired later figures as diverse as Usener and Wilamowitz. In this three-volume work on tragedy, his largest, published between 1839 and 1841, he attempts to reconstruct all the lost trilogies and tetralogies of Greek tragic theatre, insisting on their artistic unity, and demonstrating their fundamental debt to the Epic Cycle (which he had investigated in his Der Epische Cyclus, also reissued in this series). Amid much that is fantastic he made many brilliant discoveries, such that he must still be consulted by all serious students of the subject. Volume 3 discusses Greek tragedy in the Hellenistic period and the influence of Greek tragedy on later Roman drama.
Die Griechischen Tragoedien mit Rucksicht auf den Epischen Cyclus: Volume 2
by Friedrich Gottlieb Welcker
Published 5 November 2015
Friedrich Gottlieb Welcker (1784-1868) championed a comprehensive approach to antiquity, embracing history, literature, art and religion. This, and his openness to contemporary philosophical ideas about aesthetics and mythology, gave his work a visionary quality that inspired later figures as diverse as Usener and Wilamowitz. In this three-volume work on tragedy, his largest, published between 1839 and 1841, he attempts to reconstruct all the lost trilogies and tetralogies of Greek tragic theatre, insisting on their artistic unity, and demonstrating their fundamental debt to the Epic Cycle (which he had investigated in his Der Epische Cyclus, also reissued in this series). Amid much that is fantastic he made many brilliant discoveries, such that he must still be consulted by all serious students of the subject. Volume 2 discusses Euripides, and the Trojan and Theban epic cycles.
Die Griechischen Tragoedien mit Rucksicht auf den Epischen Cyclus: Volume 1
by Friedrich Gottlieb Welcker
Published 5 November 2015
Friedrich Gottlieb Welcker (1784-1868) championed a comprehensive approach to antiquity, embracing history, literature, art and religion. This, and his openness to contemporary philosophical ideas about aesthetics and mythology, gave his work a visionary quality that inspired later figures as diverse as Usener and Wilamowitz. In this three-volume work on tragedy, his largest, published between 1839 and 1841, he attempts to reconstruct all the lost trilogies and tetralogies of Greek tragic theatre, insisting on their artistic unity, and demonstrating their fundamental debt to the Epic Cycle (which he had investigated in his Der Epische Cyclus, also reissued in this series). Amid much that is fantastic he made many brilliant discoveries, such that he must still be consulted by all serious students of the subject. Volume 1 deals with the period and plays of Aeschylus and Sophocles.
Friedrich Gottlieb Welcker (1784-1868) was one of the most engaging and creative of German philologists during the formative period of modern classical scholarship; 'one of the heroes', Wilamowitz called him. Art, poetry and religion were to him all the same object of study, and a key to the world of Greek imagination and feeling. His attempt to grasp the meaning of all Greek mythology gave decisive impetus to a still vigorous tradition. This work (in two volumes, first published 1835 and 1849) is his effort to recover the lost epics of the archaic period, and the conditions of their performance and transmission. If his adventurous reconstructions do not always command assent, they offer many brilliant observations and insights in the making. His influence has been as diffuse as it is unacknowledged; again and again one finds on reading him that Welcker said it first.
Der Epische Cyclus: Volume 2, Die Gedichte nach Inhalt und Composition
by Friedrich Gottlieb Welcker
Published 12 April 2011
Friedrich Gottlieb Welcker (1784-1868) was one of the most engaging and creative of German philologists during the formative period of modern classical scholarship; 'one of the heroes', Wilamowitz called him. Art, poetry and religion were to him all the same object of study, and a key to the world of Greek imagination and feeling. His attempt to grasp the meaning of all Greek mythology gave impetus to a still vigorous tradition. This work (in two volumes, first published 1835 and 1849) is his effort to recover the lost epics of the archaic period, and the conditions of their performance and transmission. If his adventurous reconstructions, here and in his companion work on Greek tragedy, do not always command assent, they offer many brilliant observations and insights. His influence has been as diffuse as it is unacknowledged; again and again one finds on reading him that Welcker said it first.