Picador Books
4 total works
In French caracole means "prancing"; in English, "caper." Both words perfectly describe this high-spirited erotic adventure. In Caracole, White invents an entire world where country gentry languish in decaying mansions and foppish intellectuals exchange lovers and gossip in an occupied city that resembles both Paris under the Nazis and 1980s New York. To that city comes Gabriel, an awkward boy from the provinces whose social naïveté and sexual ardor make him endlessly attractive to a variety of patrons and paramours.
"A seduction through language, a masque without masks, Caracole brings back to startling life a dormant strain in serious American writing: the idea of the romantic."--Cynthia Ozick
"A seduction through language, a masque without masks, Caracole brings back to startling life a dormant strain in serious American writing: the idea of the romantic."--Cynthia Ozick
When the narrator of White's poised yet scalding autobiographical novel first embarks on his sexual odyssey, it is the 1950s, and America is "a big gray country of families on drowsy holiday." That country has no room for a scholarly teenager with guilty but insatiable stirrings toward other men. Moving from a Midwestern college to the Stonewall Tavern on the night of the first gay uprising--and populated by eloquent queens, butch poseurs, and a fearfully incompetent shrink--The Beautiful Room is Empty conflates the acts of coming out and coming of age.
"With intelligence, candor, humor--and anger--White explores the most insidious aspects of oppression.... An impressive novel."--Washington Post book World
"With intelligence, candor, humor--and anger--White explores the most insidious aspects of oppression.... An impressive novel."--Washington Post book World
Combining glittering wit, an atmosphere dense in social paranoia, and a breathtaking elegance and precision of language, White's first novel suggests a hilarious apotheosis of the comedy of manners. For, on the privileged island community where Forgetting Elena takes place, manners are everything. Or so it seems to White's excruciatingly self-conscious young narrator who desperately wants to be accepted in this world where everything from one's bathroom habits to the composition of "spontaneous" poetry is subject to rigid conventions.