Escape to Canada, Rendered in Poetic Overtures
by Walter Joseph Schenck Jr
The Little Yellow House (Hugh MacLennan Poetry, #25)
by Heather Simeney MacLeod
"we, the living, collect the dead. / Fallen autumn leaves, crushed flowers between / the pages of books, photographs of moments / that can never be fully recovered or even / remembered" What have you forgotten and what have you lost? The Little Yellow House investigates recollection - searching for people and the objects that bind them to memory - to uncover the story or the small moment between people and things. Heather Simeney MacLeod explores masterpieces, biblical stories, scientific theo...
In 1910 Lawrence J. Burpee published an anthology of 100 Canadian Sonnets. Poet and critic Zachariah Wells figured it was high time for an update on that dusty tome. In Jailbreaks, Wells has gathered 99 of his favourite sonnets written by Canadians, from the 19th century to the present day.
The three sequences of Groundwork comprise a sophisticated reworking of European myth on the order of Yeats's The Tower. The first is situated by an archaeological dig in modern-day Tunisia, the second by the Garden of Eden, the third by the waters and islands of Homer's Odyssey. Together they form a devastating critique of contemporary aesthetics. Few poets today are versed in the archetypes that inform the European tradition, and even fewer can manipulate them with the grace of Amanda Jerniga...
This volume contains poems from 1966 to 1989. "A Shuttle in the Crypt", written while Soyinka was in prison, maps out the course trodden by a mind under solitary confinement. "Idanre", a poem on the creation myth of Ogun, was written for the Commonwealth Arts Festival, while "Mandela's Earth" presents a selection of poems that are of searing urgency.
Common Place explores the stories of shifting, resilient bodies and landscapes bound by systems of capital and power. From thin threads of text messages across borders to encounters with strangers in the crush of rush-hour transit, Sarah Pinder names our most private and public moments of seeing and being seen. With considered, quiet urgency, this poem witnesses our ambiguous, aching present and looks towards what comes next.'Watch for the places where Pinder goes for the imperative: like the bo...