Die Inszenierung von Geschlechterrollen bei Jürgen Klauke
by Miriam Sowa
Man Ray. Einflusse der Bildenden Kunst auf die Fotografie von Man Ray
by Laura Becker
László Moholy-Nagy TYPOFOTO - am Beispiel des Filmmanuskripts Dynamik der Großstadt
by Anonym
Spiritual Enlightenment in Virtual Worlds. Designing a Religion Site in Second Life
by Emil Kaburuan
Videographer - My Level of Sarcasm Depends On Your Level of Stupidity
by Workplace - Wonders
You're An Amazing Videographer. Keep That Shit Up.
by Workplace - Wonders
Two of the most stylized shots in cinema - the close-up and the long shot - embody distinct attractions. The iconicity of the close-up magnifies the affective power of faces and elevates film to the discourse of art. The depth of the long shot, in contrast, indexes the facts of life and reinforces our faith in reality. Each configures the relation between image and distance that expands the viewer's power to see, feel, and conceive. To understand why a director prefers one type of shot over th...
Red Hot Chili Peppers Coloring Book (Coloring Book for Adults)
by Isaac Fore
Rineke Dijkstra - Auf der Suche nach der Authentizitat
by Nanni Harbordt
Transkulturelle Raume bei Fatih Akin. Die Filme Gegen die Wand und Auf der anderen Seite
by Kathrin Lang
David Lynch. Lost Highway, Mulholland Drive und Inland Empire
by Sabrina Berger