In the first book devoted to Charles Burnett, a crucial figure in the history of American cinema often regarded as the most influential member of the LA Rebellion group of African American filmmakers, James Naremore provides a close critical study of all Burnett's major pictures for movies and television, including Killer of Sheep, To Sleep with Anger, The Glass Shield, Nightjohn, The Wedding, Nat Turner: A Troublesome Property, and Warming by the Devil's Fire. Having accessed new information an...
The Politics and Poetics of Black Film (Studies in the Cinema of the Black Diaspora)
Written and directed by two white men and performed by an all-black cast, Nothing But a Man (Michael Roemer, 1964) tells the story of a drifter turned family man who struggles with the pressures of small-town life and the limitations placed on him and his community in the Deep South, an area long fraught with racism. Though unmistakably about race and civil rights, the film makes no direct reference to the civil rights movement. Despite this intentional absence, contemporary audiences were acute...
Eliseo Subiela, the Poet of Latin American Cinema
Roman Polanski: The Cinema of a Cultural Traveller
by Professor Ewa Mazierska
The writer, director, and producer who created the Star Wars epic and American Graffiti, among other films, shares his creative vision and unique perspective on the film industry. Simultaneous.
Violence and media are important issues in media theories and research. In the research conducted with the participation of 400 university students, the effects of the concepts of digital media literacy, cyber violence and emotional deafness (alexithymia) on the perception of individuals as justification violence are discussed as factors that cause individuals to perceive violence as legitimate through communication tools. It was determined that variables of being cyberbullying victim, being a c...
From his early days as a film editor at RKO studios, where he helped Orson Welles shape Citizen Kane, to his success as a director and producer of musical blockbusters of the 1960s, Robert Wise had a long and illustrious film career. Unlike contemporaries such as Alfred Hitchcock, John Ford or Howard Hawks, however, Wise's films lack any clearly discernible characteristics to signify his work. There are few striking camera angles or visual flourishes that might distract from the primary obligati...
Michael Winterbottom (Conversations with Filmmakers (Hardcover)) (Conversations with Filmmakers)
Prolific British director Michael Winterbottom (b.1961) might be hard to pin down and even harder to categorize. Over sixteen years, he has created feature films as disparate and stylistically diverse as Welcome to Sarajevo, 24 Hour Party People, In This World, Butterfly Kiss, and The Killer Inside Me. But in this collection, the first English-language volume to gather international profiles and substantive interviews with the Blackburn native, Winterbottom reveals how working with small crews,...
Humphrey Jennings was one of Britain's greatest documentary film-makers, described by Lindsay Anderson in 1954 as 'the only real poet the British cinema has yet produced'. A member of the GPO Film Unit and director of wartime canonical classics such as Listen to Britain (1942) and A Diary for Timothy (1945), he was also an acclaimed writer, painter, photographer and poet. This seminal collection of critical essays, first published in 1982 and here reissued with a new introduction, traces Jenni...