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This book presents original material which indicates that Aemilia Lanyer – female writer, feminist, and Shakespeare contemporary – is Shakespeare’s hidden and arguably most significant co-author. Once dismissed as the mere paramour of Shakespeare’s patron, Lord Hunsdon, she is demonstrated to be a most articulate forerunner of #MeToo fury. Building on previous research into the authorship of Shakespeare’s works, Bradbeer offers evidence in the form of three case studies which signal Aemilia’s c...

This volume is the first to provide a book-length study of Pinter's overtly political activity. With chapters on political drama, poetry, and speeches, it charts a consistent tension between aesthetics and politics through Pinter's later career and defines the politics of the work in terms of a pronounced sensory dimension and capacity to affect audiences. The book brings to light unpublished letters and drafts from the Pinter Archive in the British Library and draws his political poems and spee...

Mit den Opern Asrael (1888), Cristoforo Colombo (1892) und Germania (1902) feierte der italienische Komponist Alberto Franchetti (1860-1942) internationale Erfolge. Ausgebildet bei Joseph Gabriel Rheinberger und Felix Draeseke in Deutschland, aber auch tief beeindruckt von den Musikdramen Richard Wagners, leistete Franchetti einen wesentlichen Beitrag zur Neuausrichtung der italienischen Oper nach Giuseppe Verdi. Aus unterschiedlichen Perspektiven nahert sich diese Studie seinem gesamten Opernsc...

Blending a flair for textual nuance with theoretical engagement, Theaters of Desire not only contributes to our understanding of the most influential form of early Chinese song-drama in local and international cultural contexts, but adds a Chinese perspective to the scholarship on print culture, authorship, and the regulatory discourses of desire. The book argues that, particularly between 1550 and 1680, Chinese elite editors rewrote and printed early plays and songs, so-called Yuan-dynasty zaju...

The first edited volume to examine philosopher Slavoj Zizek's influence on, and his relevance for, theatre and performance studies. Featuring a brand new essay from Zizek himself, this is an indispensable contribution to the emerging field of Performance Philosophy.

The Kwagh-hir Theater: A Weapon for Social Action represents a significant milestone in the documentation and theorization of non-Western theater. The book describes how the Tiv people of Nigeria used their indigenous theater to fight against British colonialism and oppression by dominant groups in Nigeria. It celebrates the power of the theater to give voice to the voiceless and to become a catalyst for positive change.

A fascinating account of one of theatre's most inventive artists and the visual aesthetic that fuelled the path he blazed.

Indian Popular Theatres foregrounds an aspect of contemporary performance that has for some time warranted but not received serious study. It explores the living traditions of Indian Theatre in terms of its audience and the specific circumstances that surround them, focusing on four key forms: Bengali Jatra epics The Pandavani and storytellers of Central India The progressive New Marathi Theatre of Pune Safdar Hashmi’s JANAM street theatreEach of these styles of performance is discussed in d...

The librettist and theatre manager Alfred Bunn (1796-1860) published these memoirs of his career, giving a view 'both before and behind the curtain', in 1840. He professes not to be fond of autobiographies, is clearly irritated at the not always flattering walk-on role he is given in the memoirs of some of the greatest contemporary performers, and regards this three-volume work as a way of settling a number of scores. His account cannot therefore be said to be unprejudiced, but it is written wit...

In the years that followed the end of apartheid, South African theatre was characterized by a remarkable productivity, which resulted in a process of constant aesthetic reinvention. After 1994, the "protest" theatre template of the apartheid years morphed into a wealth of diverse forms of stage idioms, detectable in the works of Greg Homann, Mike van Graan, Craig Higginson, Lara Foot, Omphile Molusi, Nadia Davids, Magnet Theatre, Rehane Abrahams, Amy Jephta, and Reza de Wet, to cite only a few p...

In the first decade of the twenty-first century, Broadway was notable for old-fashioned, feel-good shows (Hairspray, Jersey Boys), a number of family-friendly musicals (Little Women, Mary Poppins), plenty of revivals (Follies, Oklahoma!, Wonderful Town), a couple of off-the-wall hits (Avenue Q, Urinetown), several gargantuan flops (Dance of the Vampires, Lestat), and a few serious productions that garnered critical acclaim (The Light in the Piazza, Next to Normal). Unlike earlier decades which w...

This leading text introduces the whole range of major theoretical approaches to the study of International Relations in a way that really gets students thinking. Each theory is placed within context and discussed in juxtaposition to other theoretical approaches, and each chapter is written by a leading expert on each approach, giving the student an excellent view of the latest developments. The new edition has new chapters on historical sociology and international political theory and has been t...

Of all the tales to be found in Boccaccio's Decameron, the tragic story of King Tancred's efforts to frustrate the love of his daughter Gismond for Guiscardo, was probably the best known and most popular in Renaissance England. This Collections volume brings together the earliest texts of the first and last pre-1642 plays to deal with the lovers' story: the Inner Temple tragedy, Gismond of Salern (1568), and a much-revised play probably by amateur Warwickshire dramatist John Newdigate (1620s). I...