The Zombie Movie Encyclopedia, Volume 2: 2000-2010
by Peter Dendle
This is a comprehensive overview of zombie movies in the first 11 years of the new millennium, the most dynamic and vital period yet in the history of the zombie genre. The compendium serves not only as a follow-up to its predecessor volume (The Zombie Movie Encyclopedia McFarland 2011 [2001]), which covered movies from 1932 up until the late 1990s, but also as a fresh exploration of what uniquely defines the genre in the 2000s. In-depth entries provide critical analysis of the zombie as creatur...
Sensational Pleasures in Cinema, Literature and Visual Culture
This international collection focuses on the phallic character of classic and contemporary literary and visual cultures and their invasive nature. It focuses on thrillers, horror cinema, sexual art and photography, erotic literature, female and male body politics, queer pleasures, gender/cross-gender/transgenderism, CCTV and phallic ethnicities.
Posthuman Biopolitics (Palgrave Studies in Science and Popular Culture)
This volume presents the first collection of essays dedicated to the science fiction of microbiologist Joan Slonczewski. Posthuman Biopolitics consolidates the scholarly literature on Slonczewski's fiction and demonstrates fruitful lines of engagement for the critical, cultural, and theoretical treatment of her characters, plots, and storyworlds. Her novels treat feminism in relation to scientific practice, resistance to domination, pacifism versus militarism, the extension of human rights to no...
The Creature Chronicles
by Tom Weaver, David Schecter, and Steve Kronenberg
He was the final addition to Universal's "royal family" of movie monsters: The Creature from the Black Lagoon. With his scaly armour, razor claws and a face only a mother octopus could love, this Amazon denizen was perhaps the most fearsome beast in the history of Hollywood's Studio of Horrors. But he also possessed a sympathetic, poignant quality which elevated him fathoms above the many aquatic monsters who swam in his wake. Everything you ever wanted to know about the Gill Man and his mid-50s...
Human rights film festivals have been steadily growing in number in recent years. They are all bound by a common thread, human rights, and yet show distinctly different films. What leads them to be so different, and how is the universalism of human rights made sense by each?
The first walking guide to London’s role in the evolution of horror cinema, inspired by the city’s dark histories and labyrinthine architectures. Death Lines is the first walking guide to London’s role in the evolution of horror cinema, inspired by the city’s dark histories, labyrinthine architectures, atmospheric streetscapes, and uncanny denizens. Its eight walks lead you on a series of richly researched yet undeniably chilling tours through Chelsea, Notting Hill, Westminster, Bloomsbury, Cov...
In 1948, the Australian government banned the production, importation and exhibition of horror films in a move to appease religious communities and entertainment watchdogs. Drawing upon previously unseen government documents, private letters and contemporary newspaper accounts, this book is the first to extensively cover the history of censorship and the early production of horror movies in Australia. Beginning its examination in the late 19th century, the book documents the earliest horror film...
This book explores the idea that while we see the vampire as a hero of romance, or as a member of an oppressed minority struggling to fit in and acquire legal recognition, the vampire has in many ways changed beyond recognition over recent decades due to radically shifting formations of the sacred in contemporary culture. The figure of the vampire has captured the popular imagination to an unprecedented extent since the turn of the millennium. The philosopher Rene Girard associates the sacred wi...
American Horror Film
Creatively spent and politically irrelevant, the American horror film is a mere ghost of its former self-or so goes the old saw from fans and scholars alike. Taking on this undeserved reputation, the contributors to this collection provide a comprehensive look at a decade of cinematic production, covering a wide variety of material from the last ten years with a clear critical eye.Individual essays profile the work of up-and-coming director Alexandre Aja and reassess William Malone's muchmaligne...
Style in British Television Drama (Palgrave Close Readings in Film and Television)
by L. Cooke
This pioneering book provides detailed analysis of scenes from nine British television dramas produced between 1954 and 2001. Taking dinner table scenes as a recurring motif, the study analyses changes in televisual style with reference to production practices, technology, aesthetic preferences, and social and institutional change.
The Art of the Film: Fantastic Beasts and Where to Find Them
by Dermot Power
Step inside the world of the talented art departments who, led by Academy Award (R)-winning production designer Stuart Craig, were responsible for the creation of the unforgettable characters, locations and beasts in J.K. Rowling's Fantastic Beasts and Where to Find Them. The Art of the Film, edited by concept artist Dermot Power, takes you on a magical journey through a design process every bit as wonderful as Newt Scamander's adventure in the wizarding world. Bursting with...
Following on from the New York Times-bestselling My Boring-Ass Life, Kevin Smith is back! In freewheeling conversations with his friend and producer Scott Mosier (as heard on their top-rated podcast, known as SModcast), we discover — to pick just four random examples of the riches therein — the genesis of Stalin’s Monkey Soldier army, the horrifying tale of Kevin vs. Steak Tartare, how to make bukkake eggs, and how Kevin was once willing to let Alanis Morissette get mugged... Defiantly lewd,...
From Sherlock Holmes to Sam Spade; Nick and Nora Charles to Nero Wolfe and Archie Goodwin; Harry Lime to Gilda, Madeleine Elster, and other femmes fatales—crime and crime solving in fiction and film captivate us. Why do we keep returning to Agatha Christie's ingenious puzzles and Raymond Chandler's hard-boiled murder mysteries? What do spy thrillers teach us, and what accounts for the renewed popularity of morally ambiguous noirs? In The Mysterious Romance of Murder, the poet and critic David Le...