So convinced is Francis Ford Coppola that "live cinema" will become a powerful medium within the larger film industry that he has crafted this instructional book, filled with lively anecdotes and invaluable lessons—a boon for cinema addicts, film students and teachers alike. As digital film-making can now be performed by one director or by a collaborative team working across the Internet, it is a matter of time before cinema auteurs will create "live" films of the highest creative quality that w...
The theory behind making moving images was known long before the advent of photography, but the introduction of photographic processes, able to capture a fleeting moment in a fraction of a second, soon led early pioneers to think about what was originally known as animated photography. This book tells the story of those early years, from the nineteenth century onwards, when movie cameras were used only by professional film-makers. It then describes the advent of various forms of amateur cine equ...
Huser's study analyses the title sequences of Hitchcock's American films, showing how a variety of visual and acoustic experimental techniques employed in these sequences produce a particular mode of enunciation destined to frame the film within its own self-interpretation.
Robert Zemeckis has risen to the forefront of American filmmaking with a string of successes: Romancing the Stone, Back to the Future I, II, & III, Who Framed Roger Rabbit?, Forrest Gump, and Castaway. Herein, Norman Kagan unlocks the mind behind the making of these diverse and groundbreaking hits-appraising each work's public and critical appeal while placing the films in the context of Zemeckis's career.
Film studies has traditionally addressed the presence of the city in film as an urban text inside a cinematic text, but this approach has recently evolved into the study of cinema as a technology of place. From this perspective, Documenting Cityscapes explores the way the city has been depicted by non-fiction filmmakers since the late 1970s, paying particular attention to three aesthetic tendencies: documentary landscaping, urban self-portraits and metafilmic strategies. Through formal analysis...
The Art of "The Matrix"
by Larry Wachowski, Andy Wachowski, and Geof Darrow
With two eagerly awaited sequels to be released in 2003 -- The Matrix Reloaded in May and The Matrix Revolutions in November -- this highly acclaimed book is now even more essential. To sell their amazing script for The Matrix, the Wachowski brothers employed top comic book professionals to visualise their script in the form of storyboards, all of which are included here in what is simply the most comprehensive and lavish behind-the-scenes film book ever published. Discover the full story with o...
Cinema plays a major role in contemporary art, yet the deeper influence of its diverse historical forms on artistic practice has received little attention. Screen Presence explores the intersections of film, popular media, and art since the 1950s through the examples of four pivotal figures – Andy Warhol, Robert Rauschenberg, Mona Hatoum and Douglas Gordon. While their film-related works may appear primarily as challenges to conventional cinema, these artists draw on overlooked forms of popular...
Mexican film director Alejandro Gonzalez Inarritu, along with top photographers Mary Ellen Mark, Patrick Bard, Graciela Iturbide, and Miguel Rio Branco, bring together their highly perceptive visions on cultural diversity in a book that combines seductive images and firsthand remarks on the unique experience of shooting "Babel". Winner of the Best Director prize at the 2006 Cannes Film Festival, the film is the third in the director's trilogy started by "Amores Perros" and "21 Grams". Shot in Mo...
This book presents the complete works of Ingmar Bergman: an homage to one of the most esteemed film and theater artists of all time, began in cooperation with Bergman himself and made with full access to his archives.Since 1957, when he released "The Seventh Seal" and "Wild Strawberries", Ingmar Bergman has been one of the leading figures in international cinema, along with others such as Federico Fellini and Akira Kurosawa. In a career that spanned 60 years, he wrote, produced, and directed 50...
Film Censorship is a concise overview of Hollywood censorship and efforts to regulate American films. It provides a lean introductory survey of U.S. cinema censorship from the pre-Code years and classic studio system Golden Age—in which film censorship thrived—to contemporary Hollywood. From the earliest days of cinema, movies faced controversy over screen images and threats of censorship. This volume draws extensively on primary research from motion picture archives to unveil the fascinating be...
Clint Eastwood (Conversations with Filmmakers (Hardcover)) (Conversations with Filmmakers)
As a star, Clint Eastwood is recalled primarily for two early roles--the ""Man With No Name"" of three European-made Westerns and ""Dirty"" Harry Callahan, the uncompromising cop who spoke softly and carried a big gun in five movies. But like few other stars, Eastwood has shaped his own career by appearing almost exclusively in films he produced or co-produced, frequently under his own direction. No other contemporary dramatic star has directed himself so often. His acclaim as a director began...
William Friedkin (Conversations with Filmmakers)
Academy Award-winning director William Friedkin (b. 1935) is best known for his critically and commercially successful films The French Connection and The Exorcist. Unlike other film school-educated filmmakers of the directors' era, Friedkin got his start as a mailroom clerk at a local TV station and worked his way up to becoming a full-blown Hollywood filmmaker by his thirties. His rapid rise behind the camera from television director to Oscar winner came with self-confidence and unorthodox met...
The Films of Joyce Wieland (Cinematheque Ontario Monographs)
William Wyler: The Life and Films of Hollywood's Most Celebrated Director (Screen Classics)
by Gabriel Miller
Broadcasting Debate (Broadcasting debate monographs, #1)