Il Tango è sempre una storia d'amore e non una rosa in bocca
by Pier Aldo Vignazia
Post-Apartheid Dance
The intention of this work is to present perspectives on post-apartheid dance in South Africa by South African authors. Beginning with an historical context for dance in SA, the book moves on to reflect the multiplicity of bodies, voices and stories suggested by the title. Given the diversity of conflicting realities experienced by artists in this country, contentious issues have deliberately been juxtaposed in an attempt to draw attention to the complexity of dancing on the ashes of apartheid....
The Miriam Tradition works from the premise that religious values form in and through movement, with ritual and dance developing patterns for enacting those values. Cia Sautter considers the case of Sephardic Jewish women who, following in the tradition of Miriam the prophet, performed dance and music for Jewish celebrations and special occasions. She uses rabbinic and feminist understandings of the Torah to argue that these women, called tanyaderas, "taught" Jewish values by leading appropriate...
Tanz Ist Die Sprache Der Goetter (Europaeische Hochschulschriften / European University Studie, #35)
by Marianne Nurnberger and Marianne Neurnberger
Die traditionellen Tanzstile Sri Lankas entwickelten sich in Relation zu ihrer rituellen Funktion als Kommunikation mit Gottern und Damonen. Die vorliegende Studie unterscheidet zwischen einem alteren Typus der kollektiven Riten und einem jungeren der individuellen Riten, deren stilistische Differenzierung aus ihrer sozialen Orientierung heraus analysiert wird. Wahrend sich die traditionellen Tanzritualisten aus mannlichen Vertretern einer niederen Kaste rekrutierten, eroffnete der Anfang der 40...
"African-American Concert Dance" significantly advances the study of pioneering black dancers by providing valuable biographical and historical information on a group of artists who worked during the 1920s, 1930s, and 1940s to legitimize black dance as a serious art form. John O. Perpener sets these seminal artists and their innovations in the contexts of African-American culture and American modern dance and explores their creative synthesis of material from European-American, African-American,...
This comprehensive guide to traditional style square and contra dancing, sometimes referred to as country dancing, covers both music and style and gives background information on various dance types and calling techniques. Ninety dances, presented in chapters according to type (mixers, progressive circles, contra, Southern mountain style, squares and others), in a wide variety of formations are described with drawings and diagrams for many of the movements. A glossary of terms, a directory of ad...
Floating Bones charts the author’s journey into tensegrity, which begins in ballet and culminates in a model for addressing one’s body as a teacher. Tensegrity flips traditional biomechanical models such that instead of support coming from the bones, the bones float, and it is the muscles and other soft connective tissue that provide support for the moving body. Using the model of tensegretic experience, Roses-Thema connects somatics, cognition, rhetoric, and reflective practices detailing the...
It's impossible to think of the heritage of music and dance in the United States without the invaluable contributions of African Americans. Those art forms have been touched by the genius of African American culture and have helped this nation take its important and unique place in the pantheon of world art. Steppin' on the Blues explores not only the meaning of dance in African American life but also the ways in which music, song, and dance are interrelated in African American culture. Dance...
