NEW MyLab Music without Pearson eText -- Standalone Access Card -- for Discover Jazz
by John E Hasse and Tad Lathrop
ALERT: Before you purchase, check with your instructor or review your course syllabus to ensure that you select the correct ISBN. Several versions of Pearson's MyLab & Mastering products exist for each title, including customized versions for individual schools, and registrations are not transferable. In addition, you may need a CourseID, provided by your instructor, to register for and use Pearson's MyLab & Mastering products. Packages Access codes for Pearson's MyLab & Mastering products may...
The Jazz Improviser's Woodshed - Volume 1 Scale Studies Chord Exercises Bass Clef Edition
by Jimmy Cozier
Mulatu Astatke
Mulatu was the first Ethiopian jazz music-maker to study abroad and thus be exposed to Western musical trends. When he returned to Addis Ababa he pursued his dream of drawing on the musical heritage of his homeland a heritage that has been buffeted by Ethiopia s turbulent history to produce a unique, compelling blend of music: Ethiopian sounds with a twist . In the late 1960 s, his Ethio jazz introduced, among other new ideas, the Afro-Latin soul where he played conga, piano, vibraphone and inno...
From Nelson George, supervising producer and writer of the hit Netflix series, "The Get Down," this passionate and provocative book tells the complete story of black music in the last fifty years, and in doing so outlines the perilous position of black culture within white American society. In a fast-paced narrative, Nelson George’s book chronicles the rise and fall of “race music” and its transformation into the R&B that eventually dominated the airwaves only to find itself diluted and submerg...
Is jazz a universal idiom or is it an African-American art form? Although whites have been playing jazz almost since it first developed, the history of jazz has been forged by a series of African-American artists whose styles caught the interest of their musical generation-masters such as Louis Armstrong, Duke Ellington, John Coltrane, and Charlie Parker. Whether or not white musicians deserve their secondary status in jazz history, one thing is clear: developments in jazz have been a result of...
Intermediate Jazz & Blues for Harp
by Tony Robinson and Amanda Whiting
The Birth of Bebop (Roth Family Foundation Books in American Music)
by Scott Deveaux
The richest place in America's musical landscape is that fertile ground occupied by jazz. Scott DeVeaux takes a central chapter in the history of jazz - the birth of bebop - and shows how our contemporary ideas of this uniquely American art form flow from that pivotal moment. At the same time, he provides an extraordinary view of the United States in the decades just prior to the civil rights movement. DeVeaux begins with an examination of the Swing Era, focusing particularly on the position of...
"Gigi Gryce was a saxophonist and composer who worked with some of the best-known names in jazz during the 1950s, including Dizzy Gillespie, Thelonious Monk, and Max Roach ... Years of research and dozens of interviews were conducted for this book, resulting in a biography that, for the first time, tells the true story of this often overlooked figure and illuminates his contributions to one of the richest periods in jazz history"--Back cover.
Classical Music, Book 4 (Performance Plus, BK 4) (Popular Hits for Piano, #2)
Constructing Walking Jazz Bass Lines Book III - Walking Bass Lines - Standard Lines Bass Tab Edition
by Steven Mooney