From Afro-Cuban Rhythms to Latin Jazz (Music of the African Diaspora, #10)
by Raul A Fernandez
This book explores the complexity of Cuban dance music and the webs that connect it, musically and historically, to other Caribbean music, to salsa, and to Latin Jazz. Establishing a scholarly foundation for the study of this music, Raul A. Fernandez introduces a set of terms, definitions, and empirical information that allow for a broader, more informed discussion. He presents fascinating musical biographies of prominent performers Cachao Lopez, Mongo Santamaria, Armando Peraza, Patato Valdes,...
Ombra is the term which applies to an operatic scene involving the appearance of an oracle or demon, witches, or ghosts. Such scenes can be traced back to the early days of opera and were commonplace in the seventeenth century in Italy and France. Operas based on the legends of Orpheus, Iphigenia, and Alcestis provide numerous examples of ombra and extend well into the eighteenth century. Clive McClelland's Ombra: Supernatural Music in the Eighteenth Century is an in-depth examination of ombra...
America's Musical Landscape, 8e provides readers with an extensive understanding of the progression of American music over time together with an appreciation of the music's diverse cultural roots. Chapters are enhanced by over 70 listening examples, connections to other arts, and Thinking Critically boxes throughout. Ultimately, the music fundamentals covered will enable students to listen to new music receptively and creatively. With this new edition, all musical examples are easily accessible...
Ethnomusicology of the Flathead Indians
All people, in no matter what culture, must be able to place their music firmly in the context of the totality of their beliefs, experiences, and activities, for without such ties, music cannot exist. This means that there must be a body of theory connected with any music system - not necessarily a theory of the structure of music sound, although that may be present as well, but rather a theory of what music is, what it does, and how it is coordinated with the total environment, both natural and...
Paradosiaká: Music, Meaning and Identity in Modern Greece (SOAS Studies in Music)
by Eleni Kallimopoulou
Since the 1980s, musicians and audiences in Athens have been rediscovering musical traditions associated with the Ottoman period of Greek history. The result of this revivalist movement has been the urban musical style of 'paradosiaká' ('traditional'). Drawing from a varied repertoire that includes Turkish art music and folk and popular musics of Greece and Turkey, and identified by the use of instruments which previously had little or no performing tradition in Greece, paradosiaká has had to de...
Iannis Xenakis: Kraanerg (Landmarks in Music Since 1950)
by James Harley
Kraanerg by Iannis Xenakis is one of the most important works of the post-1950 era. James Harley, a leading Xenakis scholar, presents the genesis of Kraanerg, from the granting of the commission to the choreographer, to the selection of Xenakis as composer, to the premiere, recording, and subsequent presentations. The book is written with the benefit of access to sketches and recordings in the Xenakis Archives, allowing Harley to delve into the details of how this particular work came about. An...
Traditional Songs of the Maori (New edition)
by Margaret Orbell and Mervyn McLean
These songs in many different styles embody the fundamental values of traditional Maori culture and form a vital part of marae ceremonial. Most common song types are represented: laments, love songs, war chants, songs of welcome, face-saving songs and witty occasional songs. They are remarkable for the sophistication of the music and the power and subtlety of the words. Both Orbell and McLean are widely known and respected and have published extensively. Margaret Orbell is the author of a number...
Folklorist Robert L. Stone presents a rare collection of high-quality documentary photos of the sacred steel guitar musical tradition and the community that supports it. The introductory text and extended photo captions in Can't Nobody Do Me Like Jesus! Photographs from the Sacred Steel Community offer the reader an intimate view of this unique tradition of passionately played music that is beloved among fans of American roots music and admired by folklorists, ethnomusicologists, and other schol...
Trad. Songs of Singing Cultures
by Professor Patricia Shehan Campbell, Sue Williamson, and Pierre Perron
Music and Transcendence explores the ways in which music relates to transcendence by bringing together the disciplines of musicology, philosophy and theology, thereby uncovering congruencies between them that have often been obscured. Music has the capacity to take one outside of oneself and place one in relation to that which is ’other’. This ’other’ can be conceived in an ’absolute’ sense, insofar as music can be thought to place the self in relation to a divine ’other’ beyond the human frame...
Harlem in Montmartre (Music of the African Diaspora, #4)
by William A. Shack
During the years between the world wars, a small but dynamic community of African American jazz musicians left the United States and settled in Paris, creating a vibrant expatriate musical scene and introducing jazz to the French. While the Harlem Renaissance was taking off across the Atlantic, entertainers in Montmartre, the epicenter of the Parisian scene, contributed enthusiastically to a culture that thrived for two decades, until the occupation of the city by German troops on June 18, 1940....
Jean Sibelius's Violin Concerto is the story of Sibelius as performer and composer, of violin performing traditions, of histories of musical transmission, and of virtuosity itself. It investigates the history and legacy of one of the most recorded concertos in the violin repertoire. Sibelius, a celebrated and influential composer of the late 19th and 20th centuries, was an accomplished violinist, whose enduring interest in the instrument has been paralleled by the broad success of the only conce...
Since the 1970s, klezmer music has become one of the most popular world music genres, at the same time influencing musical styles as diverse as indie rock, avant-garde jazz, and contemporary art music. Klezmer is the celebratory instrumental music that developed in the Jewish communities of eastern Europe over the course of centuries and was performed especially at weddings. Brought to North America in the immigration wave in the late nineteenth century, klezmer thrived and developed in the Yidd...
Healing Sounds from the Malaysian Rainforest (Comparative Studies of Health Systems and Medical Care, #28)
by Marina Roseman
The Alphorn through the Eyes of the Classical Composer [B&W] (Series in Music)
by Frances Jones
A gentle introduction to the familiar music from Southeast Asia's largest country-both as sound and cultural phenomenon. Gamelan: The Traditional Sounds of Indonesia provides an introduction to present-day Javanese, Balinese, Cirebonese, and Sundanese gamelan (gong chime orchestra) music through ethnic, social, cultural, and global perspectives. Deemphasizing potentially intimidating technical discussions of scales and models, this unique work focuses on the approaches to composing and playing...