Musicality for Social Dancing (Filling in the Blanks of Argentine Tango, #7)
by Oliver Kent Phd
Piano for Busy Teens, Book 3 (Piano for Busy Teens, #3)
by Melody Bober, Gayle Kowalchyk, and E L Lancaster
Mel Bay Presents Technical Studies for Beginning Cello
by Craig Duncan
Don't Make Me Use My Relations Manager Voice
by Gratitude Show Press
Music as Discourse (Oxford Studies in Music Theory)
by Professor of Music Kofi Agawu
Workbook/Anthology for Use with Harmony in Context
by Miguel Roig-Francoli and Roig-Francoli Miguel
Sonic Virtuality
by Professor of Music Mark Grimshaw and Post-Doctoral Researcher Tom Garner
During the last several decades, most cultural critics have come to agree that the division between 'high' and 'low' art is an artificial one, that Beethoven's Ninth and 'Blue Suede Shoes' are equally valuable as cultural texts. In Who Needs Classical Music?, Julian Johnson challenges these dominant assumptions about the relativism of cultural judgements. The author maintains that music is more than just 'a matter of taste': while some music provides entertainment, or serves as background noise,...
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What does the sublime sound like? Harmonious, discordant, noisy, rustling, silent? Miranda Eva Stanyon rereads and resounds this crucial aesthetic category in English and German literatures of the long eighteenth century from a musical perspective and shows how sonorous sublimes lay at the heart of a central and transformative discourse. For Enlightenment and Romantic era listeners, the musical sublime represented a sonic encounter of the most extreme kind, one that tested what humans were capab...
The Psalms of David with a Selection of Standard Music
by William W Keys