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The reputation of Janet Frame, modern New Zealand writer, languishes. [Janet Frame] will bring more recognition to Frame. Among its well-known contributors are Patricia Moran, Suzette A. Henke and Claire Bazin. The collection truly has a global reach, with professors in the U.S., England, France, and Australia, and all of the essays are written by women. Given Frame's opposition to patriarchy and preoccupation with "Womanly" language and feminist themes, women bring a unique point of view to ana...

Wuthering Heights is the only published novel by Emily Bronte, written between October 1845 and June 1846[1] and published in July of the following year. It was not printed until December 1847, after the success of her sister Charlotte Bronte's novel Jane Eyre, under the pseudonym Ellis Bell. A posthumous second edition was edited by Charlotte. The title of the novel comes from the Yorkshire manor on the moors of the story. The narrative centres on the all-encompassing, passionate, but ultimatel...

Lacing cultural criticism, Victorian literature, and storytelling together, "TOO MUCH spills over: with intellect, with sparkling prose, and with the brainy arguments of Vorona Cote, who posits that women are all, in some way or another, still susceptible to being called too much." (Esme Weijun Wang) A weeping woman is a monster. So too is a fat woman, a horny woman, a woman shrieking with laughter. Women who are one or more of these things have heard, or perhaps simply intuited, that we are rep...

This book explores responses to the strangeness and pleasures of modernism and modernity in four commercial British women’s magazines of the interwar period. Through extensive study of interwar Vogue (UK), Eve, Good Housekeeping (UK), and Harper’s Bazaar (UK), Wood uncovers how modernism was received and disseminated by these fashion and domestic periodicals and recovers experimental journalism and fiction within them by an array of canonical and marginalized writers, including Storm Jameson, Ro...

Beginning with how the signifier 'will' operates in Shakespearean contexts, this book, unlike other studies, deals fully with how Shakespeare's plays treat the issue of rape and sexual coercion, and how far the plays reflect early modern views on the role of sex and love in marriage. It assesses in more detail than ever before the ways in which heterosexual love relationships in Shakespeare's plays are challenged by homoerotic attraction and same-sex friendships. Joan Lord Hall also explores in...

This book makes a significant contribution to recent scholarship on the ways in which women responded to the regulation of their behavior by focusing on representations of women speakers and their audiences in moments Smith identifies as "scenes of speech." This new approach, examining speech exchanges between a speaker and audience in which both anticipate, interact with, and respond to each other and each other's expectations, demonstrates that the prescriptive process involves a dynamic excha...

Des jardins de Felonde dans le Pharsamon de Marivaux a l'Elysee de Julie dans La Nouvelle Heloise, le roman du dix-huitieme siecle semble avoir accorde une place eminente a des lieux nouant des liens privilegies avec le feminin, au point que deux d'entre eux soient devenus de veritables emblemes du siecle: le serail et le boudoir. A partir d'un corpus de plus de soixante-dix romans, on cherche ici a comprendre cette insistance des espaces du feminin dans l'imaginaire des Lumieres en postulant qu...

The new essays in this book make two central claims. First, for some people, the word ""feminist"" has been either poorly defined or, in some cases, even demonized. Hermione Granger, of the Harry Potter series, serves as an outstanding example of what modern young feminism looks like: activist, powerful and full of agency, yet feminine, romantic and stylish--a new kind of feminism for a new kind of girl. The second claim the essays make is that our young, emergent feminist Hermione Granger is a...

Margaret Atwood is one of the most significant writers working today. Her writing spans seven decades, is phenomenally diverse and ambitious, and has amassed an enormous body of literary criticism. In this invaluable guide, Fiona Tolan provides a clear and comprehensive overview of evolving critical approaches to Atwood’s work. Addressing all of the author’s key texts, the book deftly guides the reader through the most characteristic, influential, and insightful critical readings of the last f...

Winner of the 2019 Oskar Halecki Prize (Polish American Historical Association) Though often unnoticed by scholars of literature and history, Polish American women have for decades been fighting back against the patriarchy they encountered in America and the patriarchy that followed them from Poland. Through close readings of several Polish American and Polish Canadian novels and short stories published over the last seven decades, Writing the Polish American Woman in Postwar Ethnic Fiction tra...

This book critically situates the figure of the black female vampire in several fields of study including literary studies, cultural studies, gender studies, and critical race studies. Black female vampires continue to appear as important literary devices and revealing indicators of cultural attitudes and trends about African American women's bodies. This book examines five novels written by four African American women writers to investigate what it means to represent African American womanhood...

A NEW YORK TIMES 100 NOTABLE BOOKS OF 2019 SELECTION “…[A]ffectingly personal, achingly earnest, and something close to necessary.” —Vogue “Personal, convincing, unflinching.” —Tablet From an author who’s been called “one of the most emotionally exacting, mercilessly candid, deeply funny, and intellectually rigorous writers of our time” (Cheryl Strayed, author of Wild) comes a seminal book that reaches surprising truths about feminism, the Trump era, and the Resistance movement. You won’t b...

The Iraqi poet Nazik al-Mala'ika was one of the most important Arab poets of the twentieth century. A pioneer of free verse poetry, over four decades, she transformed the landscape of modern Arabic literature and culture. Revolt Against the Sun presents a selection of Nazik alMala'ika's poetry in English for the first time. Bringing together poems from each of her published collections, it traces al-Mala'ika's transformation from a lyrical Romantic poet in the 1940s to a fervently committed Arab...

Literature has always recorded a history of patriarchy, sexual violence, and resistance. Academics have been using literature to expose and critique this violence and domination for half a century. But the continued potency of #MeToo after its 2017 explosion adds new urgency and wider awareness about these issues, while revealing new ways in which rape culture shapes our everyday lives. This intersectional guide helps readers, students, teachers, and scholars face and challenge our culture of se...

For most people, the US suffrage campaign is encapsulated in images of orators such as the tightly coifed Susan B. Anthony, the wimpled Elizabeth Cady Stanton, and others who hectored for women's rights throughout the nineteenth century. The campaign to secure the vote for US women, however, was also a modern and print-cultural phenomenon, waged with humor, style, and creativity. In this fascinating cultural history, Mary Chapman demonstrates the importance of the aesthetically innovative print...

Explores the literary connection between Katherine Mansfield and Elizabeth von Arnim Elizabeth von Arnim is best remembered as the author of Elizabeth and Her German Garden (1898) and The Enchanted April (1922), as well as being the elder cousin of Katherine Mansfield. Recently, new research into the complex relationship between these writers has extended our understanding of the familial, personal and literary connections between these unlikely friends. We know that they were an influential pre...

Examining letter collections published in the second half of the nineteenth century, Catherine Delafield rereads the life-writing of Frances Burney, Charlotte Brontë, Mary Delany, Catherine Winkworth, Jane Austen and George Eliot, situating these women in their epistolary culture and in relation to one another as exemplary women of the period. She traces the role of their editors in the publishing process and considers how a model of representation in letters emerged from the publication of Burn...

 The Truth That Never Hurts: Writings on Race, Gender, and Freedom brings together more than two decades of literary criticism and political thought about gender, race, sexuality, power, and social change. As one of the first writers in the United States to claim black feminism for black women, Barbara Smith has done groundbreaking work in defining black women’s literary traditions and in making connections between race, class, sexuality, and gender. Smith’s essay “Toward a Black Feminist Crit...

Women, Reading, Kroetsch: Telling the Difference is a book of both practical and theoretical criticism. Some chapters are feminist deconstructive readings of a broad range of the writings of contemporary Canadian poet-critic-novelist Robert Kroetsch, from But We are Exiles to Completed Field Notes . Other chapters self-consciously examine the history and possibility of feminist deconstruction and feminist readings of Kroetsch's writing by analyzing Kroetsch, Derrida, and Freud on subjectivity an...