Exploring how the Bloomsbury Group's cutting-edge thinkers-Virginia Woolf, Sigmund Freud, and E. M. Forster-understood the intimacy of friends, lovers, spouses, and families as historically unfolding phenomena, this book offers a compelling account of modernism's legacies in contemporary fiction and demonstrates the myriad ways in which intimacy was a guiding and persistent idea explored by writers across the 20th-century and up to the present day. Often modernists have been celebrated for the...
The works of African American authors and artists are too often interpreted through the lens of authenticity. They are scrutinized for “positive” or “negative” representations of Black people and Black culture or are assumed to communicate some truth about Black identity or the “Black experience.” However, many contemporary Black artists are creating works that cannot be slotted into such categories. Their art resists interpretation in terms of conventional racial discourse; instead, they embrac...
Within the hypermediated age where knowledge production is decentered and horizontal, the experience of lived time has become a concordance of temporalities. The literary imagination, which was emblematic of modernity and thoroughly connected to the book as a support structure, has now become integrated within a much vaster regime of publication. Thought concerning the world is from now on a thought concerning a plurality of worlds. By way of six guiding threads (exposition, media, controversy,...
Everywhere today, we are urged to “connect.” Literary critics celebrate a new “honesty” in contemporary fiction or call for a return to “realism.” Yet such rhetoric is strikingly reminiscent of earlier theorizations. Two of the most famous injunctions of twentieth-century writing—E. M. Forster’s “Only connect . . .” and Fredric Jameson’s “Always historicize!”—helped establish connection as the purpose of the novel and its reconstruction as the task of criticism. But what if connection was not th...
An Art of Desire. Reading Paul Auster the first book-length study solely devoted to the novels of Paul Auster. From the vantage-point of poststructuralist theory, especially Lacanian psychoanalysis and Derridean deconstruction, this book explores the relation of Auster's novels City of Glass, In the Country of Last Things, Moon Palace, and The Music of Chance to the rewriting and deconstruction of genre conventions; their connections to concepts such as catastrophe theory, the sublime, Freud's n...
Framing Gotham City as a microcosm of a modern-day metropolis, Gotham City Living posits this fictional setting as a hyper-aware archetype, demonstrative of the social, political and cultural tensions felt throughout urban America. Looking at the comics, graphic novels, films and television shows that form the Batman universe, this book demonstrates how the various creators of Gotham City have imagined a geography for the condition of America, the cast of characters acting as catalysts for a rev...
Writing is, and always will be, an act defined by failure. The best plan is to just get used to it. Failure is a topic discussed in every creative writing department in the world, but this is the book every beginning writer should have on their shelf to prepare them-which is to say, to console them in their misery. Less a guide to writing and more a guide to how to simply keep on going, On Failure: The Peculiar Perseverance Required to Endure the Life of a Writer describes the defining role pl...
With great care and critical insight, Lynda K. Bundtzen examines Plath's original typescript for "Ariel" and compares it to the version that was published by her estranged husband, Ted Hughes.
Locating Classed Subjectivities explores representations of social class in British fiction through the lens of spatial theory and analysis. By analyzing a range of class-conscious texts from the nineteenth-, twentieth-, and twenty-first centuries, the collection provides an overview of the way British writers mobilized spatial aesthetics as a means to comment on the intricacies of social class. In doing so, the collection delineates aesthetic strategies of representation in British writing, tra...
In this convincing and provocative study, Rebecca Suter aims to complicate our understanding of world literature by examining the creative and critical deployment of cultural stereotypes in the early novels of Kazuo Ishiguro. "World literature" has come under increasing scrutiny in recent years: Aamir Mufti called it the result of "one-world thinking," the legacy of an imperial system of cultural mapping from a unified perspective. Suter views Ishiguro's fiction as an important alternative to th...
The Anglo-Canadian Novel in the Twenty-First Century (Anglistische Forschungen, #466)
Der Neue Kriegsroman (Beitrage Zur Neueren Literaturgeschichte, #353)
by Monika Wolting
Romantik Um 2000 (Jenaer Germanistische Forschungen, #44)
by Annika Bartsch
Konstruktionen von Authentizitat in zeitgenoessischer Reiseliteratur (Solivagus Primum, #1)
by Magdalena Drywa
Poetische Berge (Beitrage Zur Neueren Literaturgeschichte, #405)
by Leonie Silber
Entfremdung in der Arbeitswelt des 21. Jahrhunderts (Grundungsmythen Europas In Literatur, Musik Und Kunst, #18)
by Cora Rok
As the world has been reshaped since the 1970s by neoliberalism and globalization, increasing financial abstraction has presented a new political urgency for contemporary writers. Globalized finance, the return to Gilded Age levels of inequality, and the emergence of new technologies pose a similar challenge to the one faced by American social realists a century ago: making the virtualization of capitalism legible within the conventions of the realist novel. In The Financial Imaginary, Alison Sh...
Leaving the Grove is the first book-length work devoted to the phenomenon of "quit lit"—farewells to academia by those at all levels (graduate student through tenured professor) who have elected to resign their posts or stop looking for one. Part I anthologizes classics of the genre along with some original contributions, while Part II comprises secondary essays exploring quit lit from various critical and historical perspectives. The volume as a whole uses quit lit as a lens through which to ex...
Wiederholung im Theater (Gesellschaftskritische Literatur - Texte, Autoren Und Debatten, #9)