Du Theatre Au Recit de Soi Dans Le Roman-Memoires Du Xviiie Siecle (Faux Titre, #409)
by Charlene Deharbe
Genre litteraire emblematique du XVIIIe siecle, le roman-memoires s'approprie le langage du theatre au profit d'une fiction de l'interiorite. Ce livre montre comment son ecriture s'elabore a partir d'emprunts et de procedes caracteristiques de la scene, temoignant du role que joue la reference theatrale dans l'invention du recit de soi. A literary genre emblematic of the eighteenth century, fictional memoir appropriates the language of the theatre for the benefit of a novel of interiority. This...
The Three Theban Plays (Theban Plays) (Theban Plays of Sophocles - Antigone - Oedipus the King - Oedipus at Colonus)
by Sophocles, Robert Fagles, and Bernard M. W. Knox
The heroic Greek dramas that have moved theatergoers and readers since the fifth century B.C. Towering over the rest of Greek tragedy, the three plays that tell the story of the fated Theban royal family—Antigone, Oedipus the King and Oedipus at Colonus—are among the most enduring and timeless dramas ever written. Robert Fagles's authoritative and acclaimed translation conveys all of Sophocles's lucidity and power: the cut and thrust of his dialogue, his ironic edge, the surge and majesty of hi...
Set at the end of the Trojan war, "Euripides' Trojan Women" depicts the women of Troy as they wait to be taken into slavery. While choral songs recall the death-throes of the great city, the scenes between the old queen, Hekabe, and the women of her family explore the consequences of the defeat, from the rape of Cassandra, through the triumphant self-exculpation of Helen, to the pitiful death of the child Astyanax, who is thrown from the walls of his ravaged city. Barbara Goff sets the play in i...
Vengeance permeates English Renaissance drama - for example, it crops up in all but two of Shakespeare's plays. This book explores why a supposedly forgiving Christian culture should have relished such bloodthirsty, vengeful plays. A clue lies in the plays' passion for fairness, a preoccupation suggesting widespread resentment of systemic unfairness - legal, economic, political and social. Revengers' precise equivalents - the father of two beheaded sons obliges his enemy to eat her two sons' hea...
The Sixty-Minute Shakespeare--Macbeth (Sixty-Minute Shakespeare)
by Cass Foster
An abridged version of Shakespeare's tragedy about witches, prophecies, blind ambition, murder, and corruption.
Ireland, and in particular Dublin, was Samuel Beckett's cradle, a place, in Eoin O'Brien's words, he revisited 'with the same intensity that Proust went back to Combray'. It was fitting, then, shortly after Beckett's death, that his birthplace - through the good offices of the Gate Theatre, Trinity College and Radio Telefis Eireann - should have decided to honour the 1969 Nobel prize-winner by staging all of his dramatic productions over three weeks during October 1991 and hosting a series of vi...
Katalog der Volksschauspiele aus Steiermark und Karnten
by Karl Konrad Polheim
Fragmentation in Ancient Greek Drama (Trends in Classics - Supplementary Volumes, #84)
This volume examines whether dramatic fragments should be approached as parts of a greater whole or as self-contained entities. It comprises contributions by a broad spectrum of international scholars: by young researchers working on fragmentary drama as well as by well-known experts in this field. The volume explores another kind of fragmentation that seems already to have been embraced by the ancient dramatists: quotations extracted from their context and immersed in a new whole, in which t...
This portrait of the French seventeenth century playwright, novelist and short story writer Moliere was written by a Russian satarist of the twentieth century Bulgakov, both seen as fearless and uncompromising in speaking of what they saw and whose work was banned by their respective governments. Bulgakov is a well-known Russian novelist. He has also written "The Master and Margarita" and "The White Guard"among others. In 1987 the BBC televised his play about Moliere, "The Cabal of the Hypocrite...
"Francisco Nieva and Postmodernist Theatre" should engage with and advance the debate on the viability of postmodernist theatre in general by presenting the works of Francisco Nieva as a bona-fide postmodernist theatre formulated on avant-garde foundations.
Theatre Complet (Bibliotheque Du Theatre Francais, #46)
by Thomas Corneille
Samuel Beckett and the 'State' of Ireland
Reflecting the rich critical debate at the 'Beckett and the State of Ireland' conferences held in Dublin between 2011 and 2013, this volume brings together a selection of essays which explore and respond to the Irish concerns which echo in the fiction, drama, and poetry of Samuel Beckett. From the portrayals of the haunting landscape of South County Dublin in Beckett's work to its interrogation of the political and social pieties of the infant nation state in which the author came to maturity, B...
The Elizabethan Doctor as a Dramatic Convention (Renaissance Studies, #41)
by Philip Kolin
Dramatic Imager in the Plays of John Webster (Salzburg studies: Jacobean drama studies, #68)
by Susan H. McLeod