Spoken word is one of the most popular styles of poetry in North America. While its prevalence is often attributed to the form's strong ties to oral culture, Recalling Recitation in the Americas reveals how poetry memorization and recitation curricula, shaped by British Imperial policy, influenced contemporary performance practices. During the early twentieth century, educators frequently used the recitation of canonical poems to instill "proper" speech and behaviour in classrooms in Canada,...
French-Canadian Literature (The ACSUS papers)
by Jonathan M. Weiss and Jane Moss
Critical Collaborations: Indigeneity, Diaspora, and Ecology in Canadian Literary Studies
Nicole Brossard
Canadian Writers at Work
Canadian Writers at Work features ten interviews from "Canadian Fiction Magazine", a unique Canadian literary quarterly devoted solely to fiction. Margaret Atwood, Clarke Blaise, Mavis Gallant, Jack Hodgins, Robert Kroetsh, Bharati Mukherjee, Alice Munro, Leon Rooke, Jane Rule, and Josef Skvorecky discuss their work, their narrative strategies, and the growth of a major literaure. For many of these writers, Geoff Hancock's interview was the first in-depth discussion of their fiction. Hancock ask...
This selection of Western Icelandic writings, the first of its kind in English, represents a wide collection of first and second generation Icelandic-Canadian authors. The stories, first published between 1895 and 1930, are set mainly in North America (especially Manitoba). They reflect a weath of literary activity, from the numerous Western Icelandic newspapers and journals, to the reading circles and cultural and literary societies that supported them. The stories show a wide range of experie...
Written in 1939, in the last year if his life, Ernest Vincent Wright wrote a novel without using the letter E. This is it.
Winner of the 2010 Margaret Atwood Society Best Book Prize. In Engendering Genre, renowned Margaret Atwood scholar Reingard M. Nischik analyzes the relationship between gender and genre in Atwood's works. She approaches Atwood's oeuvre by genre - poetry, short fiction, novels, criticism, comics, and film - and examines them individually. She explores how Atwood has developed her genres to be gender-sensitive in both content and form and argues that gender and genre are inherently complicit in At...
A Short History of the Blockade (CLC Kreisel Lecture)
by Leanne Betasamosake Simpson
Price-Forecasting Models for Key Technology, Inc. KTEC Stock (NASDAQ Composite Components, #1689)
by Ton Viet Ta