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Everything Natalie said seemed, to herself, to have been said better by him. He was less fond of speaking, however, than he was of hitting people in the face, which seemed a more likely source of her love to those of us who knew him, begins Jason Brown s linked collection of beautifully haunted, violent, and wry stories set in the densely forested lands of northern New England. In these tales of forbidden love, runaway children, patrimony, alcohol, class, inheritance, and survival, Brown s elega...

Michael Adams shares a flat with three other men in their late twenties. Days are spent lying in bed, playing computer games and occasionally doing a bit of work. And then, when he feels like it, he crosses the river and goes back to his unsuspecting wife and children. For Michael is living a double life - he escapes from the exhausting misery of babies by telling his wife he has to work through the night or travel up north. And while she is valiantly coping on her own, he is just a few miles aw...

Originally published in two parts in 1605 and 1615 and often considered "the first modern novel," Miguel de Cervantes's Don Quixote is undoubtedly the most influential work in the Spanish literary canon. In this groundbreaking graphic adaptation, cultural commentator Ilan Stavans and illustrator Roberto Weil reimagine Cervantes's masterpiece in ways that are both faithful and whimsically irreverent. In these pages, Stavans and Weil pay tribute to Cervantes's novel as well as its complex resonan...

The Flower Show and The Toth Family, two novellas in one volume by István Örkény (1912-79), introduce to an English-speaking audience a Hungarian writer with a keen sense of the absurdities of modern life. In the ’60s and ’70s, Örkény’s vein of black comedy earned him the epithet “master of the grotesque” for the popular dramatizations of these and other novels. The Flower Show (1977) is Örkény’s last novel and his most widely translated work of fiction. With consummate irony, the author exploit...