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The civic religious drama of late medieval England—financed, produced, and performed by craftspeople—offers one of the earliest forms of written literature by a non-elite group in Europe. In this innovative study, Nicole R. Rice and Margaret Aziza Pappano trace an artisanal perspective on medieval and early modern civic relations, analyzing selected plays from the cities of York and Chester individually and from a comparative perspective, in dialogue with civic records. Positing a complex view o...

This collection examines some of the people, places, and plays at the edge of early modern English drama. Recent scholarship has begun to think more critically about the edge, particularly in relation to the canon and canonicity. This book demonstrates that the people and concepts long seen as on the edge of early modern English drama made vital contributions both within the fictive worlds of early modern plays, and without, in the real worlds of playmakers, theaters, and audiences. The book eng...

Now even young readers can enjoy Shakespeare's stories in a bold new retelling that captures the drama and adventure of the original plays.

Before he suddenly passed away, John W. Robinson was working on a manuscript that he saw as effecting a marriage between the dramatic and the theatrical, as he felt there was too large a divide between literary scholars and practitioners of the theater. In it, Robinson stated that his purpose it to expound as plays the New Testament plays of the Wakefield Master and some of the related York plays, including two by the York Realist. . . . hop[ing] to show that the meaning and effect of the Wakefi...

This comprehensive anthology brings together a diverse collection of dramatic writing from the late fourteenth century to the onset of the Renaissance. The volume presents for the first time the key plays of the period in their entirety, alongside more unusual selections, covering religious narrative, religion and conscience, and politics and morality. The first section focuses on Biblical plays, including coherent sequences of the narrative Cycle plays from York and N-Town and supporting pagea...

A muscular version of Sophocles' timeless masterpiece, offering a profound reflection on the nature of power, democracy and human rights.The war has ended, but with peace comes conflict. Antigone's brother Polyneices lies on the battlefield where he fell, his burial outlawed by Creon, the new king of Thebes. Should Antigone obey Creon, or must she follow her conscience and lay her beloved brother to rest?

Boccaccio's collection of bawdy, comic and sometimes tragic tales, which had an enormous influence on English literature, notably on Chaucer.

Convents and Novices in Early Modern English Dramatic Works attends to the religious, social, and material changes in England during the century following the Reformation, specifically examining how the English came to terms with the meanings of convents and novices even after they disappeared from the physical and social landscape. In five chapters, it traces convents and novices across a range of dramatic texts that refuse easy generic classification: problem plays such as Shakespeare's Measur...

Exploring medical writing in England in the 100+ years after the advent of the “Great Mortality”, this book examines the storytelling practices of poets, patients, and physicians in the midst of a medieval public health crisis and demonstrates how literary narratives enable us to see a kinship between poetry and the healing arts. Looking at how we can learn to diagnose a text as if we were diagnosing a body, Salisbury provides new insights into how we can recuperate the voices of those afflicted...

Included here are the texts, translations, musical transcriptions, and facsimiles of the Swedish music-dramas for Holy Week and Easter: Depositio, Elevatio, and Visitatio Sepulchri.

The best-known of the Jacobean tragedies; an exemplary model of the -tragedy of blood.-

God's creations of man in a lyrical dramatization; Noah's cantankerous and hilariously funny wife refusing to leave without her friends; the Massacre of the Innocents Miracle Plays were a popular form of entertainment throughout the Middle Ages, and part of the poetic and dramatic tradition on which Shakespeare drew. Everyman discovers what you can't take with you when you go. He beseeches in turn friends, family (one pleads 'cramp in my toe'), possessions ('I follow no man in such voyages'),...