2020-2022 Three 3 Year Planner Watercolor Parrot Monthly Calendar Gratitude Agenda Schedule Organizer
by Zen Yearly Planner
Locating Taiwan Cinema in the Twenty-First Century (Cambria Sinophone World)
by Paul G. Pickowicz and Yingjin Zhang
Irish Influences on Korean Theatre During the 1920s and 1930s (Colin Smythe Publication)
by Junior Professor Won-Jae Jang
THIS lyrical drama was written about twenty-five years ago. It is based on the following story from the Mahabharata. In the course of his wanderings, in fulfilment of a vow of penance, Arjuna came to Manipur. There he saw Chitrangada, the beautiful daughter of Chitravahana, the king of the country. Smitten with her charms, he asked the king for the hand of his daughter in marriage. Chitravahana asked him who he was, and learning that he was Arjuna the Pandara, told him that Prabhanjana, one of h...
Javaphilia (Music and Performing Arts of Asia and the Pacific)
by Henry Spiller
Fragrant tropical fl owers, opulent batik fabrics, magnificent bronze gamelanorchestras, and, of course, aromatic coff ee. Such are the exotic images of Java, Indonesia's most densely populated island, that have hovered at the periphery of North American imaginations for generations. Through close readings of the careers of four "javaphiles" - individuals who embraced Javanese performing arts in their own quests for a sense of belonging - Javaphilia: American Love Affairs with Javanese Music and...
The Dao of Unrepresentative British Chinese Experience
by Daniel York Loh
… I’m not even properly Chinese I’m only half and half so that makes me feel all wrong and I just want to blend out and fit in and not stand out and with you I stand out We Stand Out There’s no safety in numbers Sorry The ‘British Chinese’. So often regarded as a ‘model minority’. Quiet, high-achieving, polite, invisible… But when someone who is ‘British Chinese’ spends their life taking drugs, getting thrown out of school, claiming benefits, being chased in stolen cars, getting locked up, the...
Chinese TV in the Netflix Era (Anthem Series on Television Studies)
Subscription-video-on-demand (SVOD) services are available on many online video-streaming platforms (VSPs) in China, such as iQiyi, Youku and Tencent Video, backed by Baidu, Alibaba and Tencent groups (BAT), respectively. The video content on these platforms can be the same shows as those broadcasted on national or provincial television stations or originally produced and exclusively streamed on the VSP. Meanwhile, VSPs purchase the distribution rights of foreign films and television series to e...