For the vast generation of actors in their teens and twenties, as well as for teachers, directors, and producers, Under Thirty is an unparalleled source of diverse and challenging roles, created by some of today’s finest writers. The twenty plays presented here in full or in part include insightful looks at the pressure-cooker caste system of American high schools as well as heartbreaking, edgy portrayals of twentysomethings adrift in the city. There are snappy romantic duets, large-cast ensembl...
Kernan Character & Conflict 2e
The Un Saddest Factory Presents Ten Minute Play Festival
by Un Saddest Factory
Modern and Contemporary Drama
by University Miriam Gilbert, Professor Emeritus of English Carl H Klaus, and Bradford S Field
Based on the best-selling Harcourt Anthology of Drama, the Brief Edition provides many of the important elements of that anthology but in a more streamlined form.
FIVE PLAYS for Young Audiences from the New Hampshire Theatre Project (Theatre for Young Audiences, #1)
by Michael Megliola, Jes Marbacher, and Genevieve Aichele
Lionel Abel's original Metatheatre, now published in the company of new essays, has inspired a whole generation of playwrights and critics since it first appeared in 1963. Indeed, to insiders the very word 'metatheatre', coined by Lionel Abel, has become as familiar as the plays the author uses to exemplify his theory. Abel's basic premise is that "tragedy is difficult if not altogether impossible for the modern dramatist." Having identified the modern, existential dilemma (for both playwright a...
The Columbia Anthology of Modern Chinese Drama (Weatherhead Books on Asia)
by Xiaomei Chen
The first of its kind in English, this anthology translates twenty-two popular Chinese plays published between 1919 and 2000, accompanied by a critical introduction to the historical, cultural, and aesthetic evolution of twentieth-century Chinese spoken drama. Primarily comprising works from the People's Republic of China, though including representative plays from Hong Kong and Taiwan, this collection not only showcases the revolutionary rethinking of Chinese theater and performance that began...
Japanese no theatre or the drama of 'perfected art' flourished in the fourteenth and fifteenth centuries largely through the genius of the dramatist Zeami. An intricate fusion of music, dance, mask, costume and language, the dramas address many subjects, but the idea of 'form' is more central than 'meaning' and their structure is always ritualized. Selected for their literary merit, the twenty-four plays in this volume dramatize such ideas as the relationship between men and the gods, brother an...