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Ancient Textiles Modern, Science II follows the success of the first proceedings, published in 2013, that catalogued the Forum’s formative years. This proceedings highlights the range of subjects and approaches, from improved forms of notation for nålbinding and terminology for non-woven fabric structures, to presentation and practical interpretation of new and unique discoveries from Lengberg Castle and of Roman leather underpants. The significance of unrealised assumptions and unappreciated hi...

The study of dress in antiquity has expanded in the last 20 years, evolving from investigations of costume and ethnicity in ancient art and texts and analyses of terms relating to textiles and their production, to broader studies of the social roles of dressed bodies in ancient contexts, texts, and images. This volume emerges from Approaches to Dress and the Body sessions at the Annual Meetings of the American Schools of Oriental Research in 2016 and 2017, as well as sessions relating to ancient...

Textiles comprise a vast and wide category of material culture and constitute a crucial part of the ancient economy. Yet, studies of classical antiquity still often leave out this important category of material culture, partly due to the textiles themselves being only rarely preserved in the archaeological record. This neglect is also prevalent in scholarship on ancient Greek religion and ritual, although it is one of the most vibrant and rapidly developing branches of classical scholarship. The...

The Wellington boot has been at the epicentre of global affairs ever since its invention in 1817, when the Duke of Wellington, freshly back from beating Napoleon, found his old boots most uncomfortable when worn with new-fangled trousers. He instructed his shoemaker to make a simple modification - and the rest is history. The history of the Wellington Boot, told here for the first time, is also the history of the world. It is an epic tale, encompassing the rise and fall of empires, corporate pi...

Fun and wearable weaving patterns! Simple Woven Garments is both a pattern book and an idea book for creating simple woven shapes and turning them into everyday, highly wearable fashions. Readers will enjoy classic woven styles and nods to today's style trends in a collection of 20 woven garments (and 4 variations) for the "what's next" weaver. This guide will help weavers create fabric that works for the intended garment, is easy to weave, and is above all beautiful. Authors Sara Goldenberg a...

Baskets made by the people of the mid-Columbia River are among the finest examples of Indian textile art in North America, and they are included in the collections of most major museums. The traditional designs and techniques of construction reveal a great artistic heritage that links modern basketmakers to their ancestors. Yet baskets are also everyday objects of a utilitarian nature that reveal much about mid-Columbia culture---a flat twined bag has greatest value when it is plump with dried r...

On chokers, chains, ribbons, ropes, jazzing up a basket, adding texture everywhere: you can't have too many beads! The selection is ever-expanding, with beaded clothing, lampshades, belts, and pillows. And off-loom bead weaving is both simple and beautiful. A leader in the field shares her enthusiasm, going through the basics and on to more challenging projects. Decorate purchased beads to personalize them, if you'd like, and then weave a three-bead spiral bracelet, twisted ribbon Ndebele neckla...

This volume of the natural and ancient art of wheat weaving and straw craft offers over 30 environmentally friendly projects. It provides step-by-step instructions and diagrams and projects include courting favours, dolls, house blessings, and decorative wall hangings.

30 dramatic basket projects to choose from, each with full-color photos of how it's supposed to look, along with sequenced drawings and simple explanations that show exactly what to do. A gallery of baskets by 11 of the world's most celebrated contemporary artists will inspire you to create designs of your own. 192 pages (88 in color), 300 b/w illus., 8 1/2 x 10.

Textiles were the Incas' most prized possessions. Their first gifts to European strangers were made not of gold and silver, but of camelid fibre and cotton. They believed that the highest form of weaving was created expressly for the sun, which they considered the greatest of the celestial powers. This book uses this image to symbolise Andean tradition as a whole and documents the collection of ancient and Colonial Andean textiles in the Museum of Fine Arts, Boston, which is among the most compr...