Sharaku's Japanese Theatre Prints
by Harold G. Henderson and Louis V LeDoux
Monica Poole, RE, was born in 1921 in Kent, where she still lives. Her technical brilliance as an engraver makes her one of the leading exponents of the medium, with subject matter drawn from the coastline - striking rock, root and plant forms - together with a number of large studies of trees. She was first introduced to wood engraving in 1938 when a student at Thanet Art School under Geoffrey Wates and after the war she enrolled on John Farleigh's course on book production at the Central Schoo...
How do literary illustrations affect the way we read-or more subtly, what we read? Through a critical investigation of the role of engraving played in eighteenth-century French literature, Philip Stewart grapples with this question. In both its approach and its conclusions, his project marks a provocative departure from the tradition of viewing illustrations as merely pictures, rather than as texts to be interpreted themselves. Focusing on the objectification of women by the "male gaze," Stewart...
Social History of Britain in Postcards, 1870-1930
by Eric J. Evans and Jeffrey Richards
In "Hand Printing from Nature", readers will discover how to use found natural materials - such as leaves, feathers, fruit, shells, weeds, and wood - to print on any surface, from paper and fabric to ceramics, wood, stone, and more. Simple step-by-step instructions coupled with beautiful photos make it easy and fun to learn the basic techniques. In no time at all, crafters of any experience level will be creating original nature prints on everything from furniture to stationery to jewellery. The...
Bertha Lum (American print-makers)
by Mary Evans O'Keefe Gravalos and Carol Pulin
This volume is dedicated to a specific kind of Renaissance publications - to books with portraits of famous people. Illustrium Imagines has become a phrase denoting the very tenet of early modern individualism as well as the phenomenon of the widespread individual popularity acquired through book illustration and prints. The first part of the study deals with major characteristics of portrait books from the very beginnings in the biographies of classical antiquity to their new role as a medium...
Until the arrival of radio and television, and despite the influence of newspapers, posters were the major medium for mass communication. During the Great War all the belligerent nations produced an extraordinary variety of them - and they did so on a massive scale. As the 200 wartime and immediate post-war posters selected for this book reveal, they were one of the most potent, and memorable, ways of conveying news, information and propaganda. In the most graphic and colourful fashion they prom...
Mapping Ethnography in Early Modern Germany: New Worlds in Print Culture (History of Text Technologies)
by Stephanie Leitch
