Celery Vases: Art Glass, Pattern Glass, and Cut Glass
by Dorothy Dougherty
Return to an earlier time, a more elegant age, when celery vases, stands, glasses, uprights, and jars graced nineteenth century Victorian and early twentieth century tables. Over 350 beautiful images display vintage cut, pattern, and art glass celeries. These images are arranged by celery vase form, including those with and without stems and by stem and bowl shapes. A wide variety of decorative techniques are displayed and discussed. The detailed text explains different decorative techniques, sh...
'Lotte has told me that she is an insomniac, and at night she lies excitedly thinking of Loch Eribol, which is down-croft from her unslept in sleeping place. As the day before and the day-to-come races before her, she thinks about the extraordinary creatures she shares the croft with. They live under the surface of the water. There is a whole civilisation, she tells me, with a large bridge, and they have always been there, happily singing, stargazing and exploring, doing what creatures do. Thing...
This book surveys four thousand years of pottery production and presents totally unexpected fresh information, using technical and analytical methods. It provides a study of ancient pottery of Jerusalem, from the earliest settlement to the medieval city and brings to light important aspects that cannot be discovered by the commonly accepted morphological pottery descriptions. New insights include the discovery that third millennium BCE pottery appears to have been produced by nomadic families, m...
The Frenchman Claude Champy (*1944) brings together man and the cosmos in his ceramics. In his studio, mechanical, geological, and chemical processes fuse to form a ceramic total work of art - guided by the barely visible yet influential human gesture. Despite the ceramicist wishing to capture the great forces of the universe in his work, he consciously consigns this part to trial and error, to an intentional loss of control, relying instead on the inherent logic of the material and fire. In Sta...
Smavos, Tnösis, Cephandrion, and Graue Sonne: These words do not come from science fiction, but are instead the titles of ceramics by Gereon Krebber that are being presented in the exhibition Keramocringe at the Skulpturenmuseum Glaskasten in Marl, along with room-dividing works made of burnt wood. This publication documents the sculptures and architecture in the final ensemble before the museum moves to its new location. An in-depth conversation between the artist and Georg Elben, the director...
Inspiration from the Art of Paul J. Stankard: A Window Into My Studio and Soul
by Paul Joseph Stankard
This striking gift book features luminous photos of world-renowned glass artist Paul Stankard’s astonishing art paired with insightful writing for all who seek out and appreciate creative energy. Stunning, full-page photos of Stankard’s paperweights show fascinating worlds: bees captured in flight, botanically exact bouquets, and miniature humanlike creatures are captured in bursting color. His unmatched technical skill is one-half of what has made Stankard a master in glass art; the other half...
Exquisite marbles produced by more than 130 artists and craftsmen are represented in over 600 stunning color photographs. The thorough text includes an extensive and detailed look at the pioneers, current artists, and craftsmen of the contemporary handmade marble movement. The history and development of handmade marbles is reviewed in words and illustrations, beginning with the earliest use of decorative glass and moving forward to the influence studio glass founders brought to bear on the pione...
When the premature death of A.W.N. Pugin (1812-1852) created a huge vacuum in the realm of Gothic-revival art and design, this was more than adequately filled by John Hardman Powell (1827-1895). Tutored personally - and uniquely - by Pugin, Powell now stepped into his master's shoes as chief designer for the Birmingham firm of John Hardman & Co. who manufactured metalwork, stained glass, and other furnishings for Pugin and for architects influenced by him. More than that, Powell was married to P...
Die Glasmalereien vom Mittelalter bis 1930 im Kanton Thurgau
by Sarah Keller and Katrin Kaufmann
For the first time in the history of the Swiss Corpus Vitrearum, this volume on the Canton of Thurgau also includes glass paintings from the 19th and 20th centuries. Whereas the study of the pre-1800 glass works provided insights into the traditions of donating stained glass in the Old Swiss Confederacy, a consideration of the more recent glass paintings sheds light on the aesthetic and technological aspects of stained-glass manufacturing during the period of historicism, art nouveau, and modern...
How to Read Greek Vases (Metropolitan Museum of Art) (The Metropolitan Museum of Art - How to Read)
by Joan R. Mertens
This handsomely illustrated volume is the second in a series of publications aimed at giving a broad audience deeper insight into the extensive collections of The Metropolitan Museum of Art. The Museum is famed for its Greek vases. Joan R. Mertens, Curator in the Department of Greek and Roman Art at the Metropolitan, has chosen thirty-five notable examples. They reveal the variety and vitality of the refined forms and masterfully rendered scenes that characterize these works. And they demonstrat...
Throughout the eighteenth century, France was a place of intense scientific enquiry and innovative research and one of the most exciting discoveries of the period was the successful manufacture of porcelain. Known as 'white gold', porcelain was produced for use in all aspects of fashionable public and private life; from banquets to boudoirs, from tea drinking to the toilette. Of all the factories in France, the most renowned was the Royal Porcelain Manufacture at Sevres. The protection of Louis...
Whimsical Victorian novelties in clear and colored glass are displayed in over 590 beautiful color photos and over 80 black and white vintage advertisements and catalog images. Novelty candy containers, decanters, perfume bottles, paperweights, toothpick and match holders, shakers, butter dishes, condiment jars, celeries, and tableware in fanciful forms ranging from animals and humans to fruit, vegetables, personal apparel, furniture, and vehicles all have their place in this fascinating book. T...
Copeland Collection: Chinese and Japanese Ceramic Figures
by Antique Collectors' Club and William R. Sargent
The Copeland Collection of 134 Chinese and Japanese ceramic figures, perhaps the most important assemblage of its kind still in private hands, is recognized internationally for the superb quality of its many rare forms. Acquired by Mrs. Lammot du Pont Copeland over the past fifty years, each of these beautifully modeled human and animal figures testifies to the unerring eye of a premiere collector.The majority of these figures are of porcelain, produced during the late seventeenth to the late ei...
Sevres Then and Now: Tradition and Innovation in Porcelain, 17502000
by Liana Paredes
"Sevres Then and Now: Tradition and Innovation in Porcelain, 1750-2000" showcases the longstanding achievements of the French porcelain factory, in particular its unparalleled invention and creativity over three centuries, featuring 87 ceramics from the Hillwood Museum and other collections. Three essays illustrated by exhibits are devoted to innovations in both production and design at the Sevres factory from the 1750s to the 21st-century. The opening section explores the beginnings of the fact...
This book celebrates Scapes, a gloriously colorful, dynamic new body of work in glass imagined and executed by siblings Laura de Santillana and Alessandro Diaz de Santillana. In addition to having a family history anchored in the traditions of glassmaking in Murano, Italy, both are respected artists in the international Studio Glass movement and have enjoyed successful solo careers. This book celebrates their first collaboration.The art in Scapes is inspired by Hindu cosmology. Alessandro's glas...
This innovative book narrates the history of a single object—a tea-leaf storage jar created in southern China during the thirteenth or fourteenth centuries—and describes how its role changed after it was imported to Japan and passed from owner to owner there. In Japan, where the jar was in constant use for more than seven hundred years, it was transformed from a humble vessel into a celebrated object used in chanoyu (often translated in English as tea ceremony), renowned for its aesthetic and fu...