A meticulously crafted, sparkling history of the legendary museum in Paris. Almost nine million people from all over the world flock to the Louvre in Paris every year to see its incomparable art collection. Yet few, if any, are aware of the remarkable history of that location and of the buildings themselves, and how they chronicle the history of Paris itself - a fascinating story that historian James Gardner elegantly tells for the first time.Before the Louvre was a museum, it was a palace, and...
Inside FAO
Through spectacular photographs and expert commentary, the book presents FAO's unique historic and cultural heritage, from the rooms where world leaders and experts meet to fight world hunger, to the artworks donated by member countries, and the Roman artefacts discovered on its site due to its location within an important archeological area.
Madrid and the Prado: Art and Architecture
by Barbara Borngasser, David Sanchez, and Felix Scheffler
The Prado is without doubt for Madrid what the Louvre is for Paris and the Uffizi for Florence. A guidebook through this museum with a knowledgeable commen-tary is therefore essential for really getting to know Madrid. However, this richly illustrated book not only portrays the city and its art in a dynamic relationship, it also relates a long and checkered history - from its be-ginnings and its charms as a residence, to the Civil War and modern times - expressed in countless churches, buildings...
Museums flourished in post-apartheid South Africa. In older museums, there were renovations on the go, and at least fifty new museums opened. Most sought to depict violence and suffering under apartheid and the growth of resistance. These unlikely journeys are tracked as museums became a primary setting for contesting histories. From the renowned Robben Island Museum to the almost unknown Lwandle Migrant Labour Museum, the author demonstrates how an institution concerned with the conservation...
Where, how, by whom and for what were the first museums of contemporary art created? These are the key questions addressed by J. Pedro Lorente in this new book. In it he explores the concept and history of museums of contemporary art, and the shifting ways in which they have been imagined and presented. Following an introduction that sets out the historiography and considering questions of terminology, the first part of the book then examines the paradigm of the Musee des Artistes Vivants in Pa...
Michael Bunch's Donegal Railway Diary, Part Two 1956 - 2018 (Part 2, 1956 - 2018, #2)
by Michael Bunch
Curating Fascism (Visual Cultures and Italian Contexts)
On the centenary of the fascist party's ascent to power in Italy, Curating Fascism examines the ways in which exhibitions organized from the fall of Benito Mussolini's regime to the present day have shaped collective memory, historical narratives, and political discourse around the Italian ventennio. It charts how shows on fascism have evolved since the postwar period in Italy, explores representations of Italian fascism in exhibitions across the world, and highlights blindspots in art and cultu...
Museums, Modernity and Conflict (Routledge Research in Museum Studies)
by Kate Hill
Museums, Modernity and Conflict examines the history of the relationship between museums, collections and war, revealing how museums have responded to and been shaped by war and conflicts of various sorts. Written by a mixture of museum professionals and academics and ranging across Europe, North America and the Middle East, this book examines the many ways in which museums were affected by major conflicts such as the World Wars, considers how and why they attempted to contribute to the war ef...
Environmental Sustainability at Historic Sites and Museums (American Association for State and Local History)
by Sarah Sutton
Museum, Photographie Und Reproduktion (Kultur- Und Medientheorie)
by Ulfert Tschirner
A visit to Paris can often seen like a highlight reel -- the Louvre, the Musee d'Orsay, the Eiffel Tower. But Paris isn't only about the big attractions; in fact, some might say it's the off-beat destinations that hold the greatest treasures. The Little(r) Museums of Paris takes a whimsical journey through these smaller destinations, from the fantastical to the bizarre, offering both a guide to the city and inspiration for armchair travelers. Rather than traveling by neighborhood, this charming...
Ritual, Heritage and Identity
This book explores the importance of ritual and ritual theory to discourses of authenticity and originality, thereby deepening our insight into concepts of cultural heritage, identity and nation in a globalised world. The volume is the first interdisciplinary attempt to understand the significance of rituals and related performative traditions in the creation of grounded cultural identities, ‘home’ and heritage as geographically experienceable locations. It assembles perspectives from social and...
Baltimore's Homewood was a wedding gift from Charles Carroll, a signer of the Declaration of Independence, to his son Charles Jr. and his bride, Harriet Chew Carroll. Located on 130 acres of rolling meadow and forest, it afforded picturesque view to the harbor. The couple built a "full and genteel establishment," a grand yet intimate summer house that exemplifies the work of the most skilled Baltimore craftsmen of the Federal period. Construction began in 1801 and incorporated a classical five-p...
Focusing on black Americans' participation in world's fairs, Emancipation expositions, and early black grassroots museums, "Negro Building" traces the evolution of black public history from the Civil War through the civil rights movement of the 1960s. Mabel O. Wilson gives voice to the figures that conceived the curatorial content - Booker T. Washington, W.E.B. Du Bois, Ida B. Wells, A. Philip Randolph, Horace Cayton and Margaret Burroughs. As the 2015 opening of the National Museum of African A...
As an historical account of the exchange of "duplicate specimens" between anthropologists at the Smithsonian Institution and museums, collectors, and schools around the world in the late nineteenth century, this book reveals connections between both well-known museums and little-known local institutions, created through the exchange of museum objects. It explores how anthropologists categorized some objects in their collections as "duplicate specimens," making them potential candidates for exc...
Storytelling Exhibitions describes the role and practice of modern ‘spatial storytellers’ and looks at the potential of exhibitions to shape our understanding of the world. It explains how curators, designers, artists and scientists combine to tell powerful stories through exhibition design. Exhibition designer and educator Philip Hughes shows how contemporary tools and technologies - digital reconstruction, 3D scanning and digital archives – interweave with traditional forms of informing, dis...
Creating African Fashion Histories focuses on the intersection between African clothing and museum work. The dynamism of African fashion has been a disruption to conventional museum practice as curators cast African bodily adornment as "dress" while restricting "fashion" to the West's historical trajectory. Yet scholars of African fashion and museums have to date benefited from very little dialogue between their respective fields. This volume breaks new ground by bringing together an interdiscip...
How do you begin to write an art history and what are the vital questions to ask? Which marks are most prominent in the visual culture of a particular place, and which are nearly invisible?In Future Possible (a riff on an Andy Jones monologue about how Newfoundlanders talk about their future, an attitude which he describes as "Future possible, possibly horrible"), Mireille Eagan and writers and artists such as Heather Igloliorte, Lisa Moore, Andy Jones, and Craig Francis Power navigate the tangl...