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In A Grand Materialism in the New Art from China, Mary Bittner Wiseman shows that material matters in the work of Chinese artists, where the goal is to call attention to its subjects through the directness and immediacy of its material, like dust from 9/11, 1001 Chinese citizens, paintings made with gunpowder, written words, or the specificity of its sites, like the Three Gorges Dam. Artists are working below the level of language where matter and gesture, texture and touch, instinct and intuiti...

Spanning more than 5,000 years, from the Prehistoric and Bronze periods through the various dynasties to the twentieth century and today, The Story of Chinese Art is a magnificent, visually rich collection of artwork that offers an unprecedented look into the vast cultural history of China. The home to some of the world's oldest and most distinguished works of art, China has a long, prestigious culture rich in ancient techniques and traditions. Today, the market for Chinese art-both ancient and...

The exquisite ceramic ware produced at the Imperial Porcelain Manufactory at Jingdezhen in southern China functioned as a kind of visual propaganda for the Qing dynasty (1644-1911) court. Porcelain for the Emperor charts the career of bannerman Tang Ying, a technocrat in the porcelain industry, through the first half of the eighteenth century to uncover the wider role of specialist officials in producing the technological knowledge and distinctive artistic forms that were essential to cultural p...

Exuberant, ornate and colourful, Straits Chinese porcelain is a variety of polychrome enameled export ware made to specification in China during the nineteenth and early twentieth centuries for the use of the Straits-born Chinese or Peranakan communities in Penang, Malacca and Singapore. Often called Nyonya ware after the Nyonyas or womenfolk of this unique subcategory of Chinese whose ancestors first settled in Malacca in the fifteenth century, it was used on festive occasions and for special f...

Depictions of children have had a prominent place in Chinese art since the Song period (960-1279). Yet one would be hard pressed to find any significant discussion of children in art in the historical documents of imperial China or contemporary scholarship on Chinese art. Children in Chinese Art brings to the forefront themes and motifs that have crossed social boundaries for centuries but have been overlooked in scholarly treatises. In this volume, experts in the fields of art, religion, litera...

With contributions from outstanding specialists in glass art and East Asian art history, this edited volume opens a cross-cultural dialogue on the hitherto little-studied medium of Chinese reverse glass painting. The first major survey of this form of East Asian art, the volume traces its long history, its local and global diffusion, and its artistic and technical characteristics. Manufactured for export to Europe and for local consumption within China, the fragile artworks studied in this volum...

Ink landscape painting is a distinctive feature of the Northern Song, and painters of this era produced some of the most celebrated artworks in Chinese history. The Efficacious Landscape addresses how landmark works of this pivotal period first came to be identified as potent symbols of imperial authority and later became objects through which exiled scholars expressed disaffection and dissent. In fulfilling these diverse roles, landscape demonstrated its efficacy in communicating through embodi...

The art of bonsai is widely known in the West: from the Karate Kid to the American Bonsai Association and even local grocery stores, bonsai has become a common sight in the States. But bonsai, the Japanese art of creating miniature trees, actually originated in China, where it's called penjing. Penjing, meaning "tray scenery," is a traditional Chinese art of creating miniature potted landscapes including trees and other plants. Brought from China to Japan in ancient times before spreading to the...

Constructed over a millennium from the fourth to fourteenth centuries CE near Dunhuang, an ancient border town along the Silk Road in northwest China, the Mogao Caves comprise the largest, most continuously created, and best-preserved treasure trove of Buddhist art in the world. Previous overviews of the art of Dunhuang have traced the caves' unilinear history. This book examines the caves from the perspective of space, treating them as physical and historical sites that can be approached, enter...

(This title was originally published in 1980/81.)

In China, flower arrangement is a venerable art with records dating back to the early Zhou Dynasty, the Spring and Autumn Period, and the Warring States Period-roughly between 11th century BC and 3rd century BC. This volume brings together two celebrated Ming Dynasty texts, On Vase Flower Arrangement by Zhang Qiande (1577-1643) and History of Vases by Yuan Hongdao (1568-1610). The latter of which was translated into Japanese and deeply impacted that country's tradition of flower arrangement. Un...

Yaozhou ware is one of the finest Chinese celadons, made in north China over a period of 700 years, from the 7th to the 14th centuries. Their style developed and changed over time. In the Tang dynasty (618-906) black, brown, lead glazed and black-on-white painted ceramics were made. During the Five Dynasties period (907-960) a technical peak was achieved, and white-bodied wares with beautiful blue-green glazes appeared. During the Northern Song and Jin dynasties (906-1279) more olive-toned celad...

This stunning Chinese art book presents almost a hundred recently unearthed objects that offer a glimpse into the extraordinary wealth and artistic accomplishments of elite society during the Western Han Dynasty (206 BCE - 9 CE). These exquisite treasures are from newly discovered sites in the Jiangsu region of China and are made of gold, silver, jade, bronze, pottery, lacquer, and other refined materials. Masterworks include a full-length jade suit sewn with gold threads, an oversized coffin...

Focuses on the history, soul, heritage, innovation, features and peak development of Cantonese music. It also explores influential figures within Cantonese music history, and introduces the instruments and classical works of Cantonese music.

Focuses on the birth and growth of Cantonese opera, the trend of contemporary Cantonese kpera, the artistic features of Cantonese opera, the legacy of Cantonese opera in Hong Kong and Macao and the spread of Cantonese opera overseas.