Doge Palace (Great Discoveries Personal Audio Guides: Venice)
by Jim Sweeney
From one of Britain’s most respected art historians, art critic of The Guardian—the galvanizing story of a sixteenth-century clash of titans, the two greatest minds of the Renaissance, working side by side in the same room in a fierce competition.In 1504, the informal rivalry between two of the most celebrated artists in Florence became a direct contest. Michelangelo was commissioned to paint a scene from the ancient battle of Cascina on a wall of the Palazzo Vecchio—in the same room where Leona...
Art and Reform in the Late Renaissance (Visual Culture in Early Modernity)
Drawing on recent research by established and emerging scholars of sixteenth- and seventeenth-century art, this volume reconsiders the art and architecture produced after 1563 across the conventional geographic borders. Rather than considering this period a degraded afterword to Renaissance classicism or an inchoate proto-Baroque, the book seeks to understand the art on its own terms. By considering artists such as Federico Barocci and Stefano Maderno in Italy, Hendrick Goltzius in the Netherlan...
Artisans, Objects and Everyday Life in Renaissance Italy (Visual and Material Culture, 1300 -1700, #21)
by Paula Hohti Erichsen
Italian Renaissance;[-]Early modern material culture and daily life;[-]Renaissance domestic interior and decorative arts;[-]Early modern artisans and shopkeepers;[-]Material culture and consumer history;[-]History of Siena[-]
Global City
by Annemarie Jordan Gschwend, Kate Lowe, and Jeremy Warren
Awarded an Honorable Mention by The Eleanor Tufts Award. The Award Committee called the book a transformative scholarly contribution. Awarded the 2016 Admiral Teixeira da Mota Prize from the Academia de Marinha (Navel Academy), Lisbon Recently identified b the editors as the Rua Nova dos Mercadores, the principal commercial and financial street in Renaissance Lisbon, two sixteenth-century paintings, acquired by Dante Gabriel Rossetti in 1866, form the starting point for this portrait of a global...
An innovative study of the relationship between Andrea Mantegna and Giovanni Bellini, two masters of the Italian Renaissance Andrea Mantegna (c. 1431-1506) and Giovanni Bellini (active c. 1459; died 1516) each produced groundbreaking paintings, marked by pictorial and technical innovations, that are among the masterpieces of the Italian Renaissance. Exploring the fruitful dynamic between Mantegna's inventive compositional approach and interest in classical antiquity and Bellini's passion for...
Lives of Tintoretto (Lives of the Artists)
by Giorgio Vasari, Pietro Aretino, Andrea Calmo, Veronica Franco, and Carlo Ridolfi
Claude Monet (Great masters collection) (Great Painters)
by Nina Kalitina
Michelangelo, Machiavelli, the Medicis. Explore the Florentine Renaissance, one of the most concentrated surges of creativity in the history of civilization in this enthralling book that brings the city to glorious life. A highly readable introduction to the Florentine Renaissance, blending the republic's political and economic tensions with tales of artistic creativity and innovation. Packed with fascinating color and detail, it's perfect for students and travelers to Florence who want to hit t...
Leonardo Da Vinci (Art & Architecture) (Library of Great Masters S.)
by Bruno Santi
Michelangelo and the Reinvention of the Human Body
by Professor James Hall
L'Automne de la Renaissance (Les Belles Lettres / Essais, #25)
by Carlo Ossola
Bernhard von Breydenbach's Peregrinatio in terram sanctam (Journey to the Holy Land), first published in 1486, is one of the seminal books of early printing and is especially renowned for the originality of its woodcuts. In Picturing Experience in the Early Printed Book, Elizabeth Ross considers the Peregrinatio from a variety of perspectives to explain its value for the cultural history of the period. Breydenbach, a high-ranking cleric in Mainz, recruited the painter Erhard Reuwich of Utrecht f...
A writer studies a famous work of art and finds herself and her own cultural moment revealed at its heart. Jeannie Marshall lived in Rome for ten years without visiting the Sistine Chapel: she didn’t want to have a superficial experience of the frescos, but she wasn’t sure how, amidst the crowds of tour groups and the noise of pop culture allusions, she could have anything but. What’s more, she wondered what this very old, very Catholic art, created by a man who grew up under the warm Tuscan su...
Sammler, Sammlungen, Sammlungskulturen in Wien Und Mitteleuropa (Sammler, Sammlungen, Sammlungskulturen in Wien Und Mitteleuropa, #2)
Sammlungsschwerpunkte und Erwerbungsstrategien, asthetische Wertschatzung und Preisgestaltung, Prasentation und Aufstellung, Netzwerke von Agenten, Kunsthandlern und Beratern stehen im Zentrum des Bandes, der so unterschiedliche Sammlerpersoenlichkeiten wie den Furstbischof von Olmutz (Olomouc), Karl von Liechenstein-Castelcorno, den Kardinalprotektor der Habsburger im papstlichen Rom, Kardinal Nicolo del Giudice, den Hofkomponisten Georg Reutter d. J., den Grafen Johann Rudolph Czernin und sein...
During the late Middle Ages, the dukes of Burgundy - the wealthiest and most powerful aristocrats in northern Europe - commissioned sculptors of great renown to decorate their magnificent court in Dijon. Working in a studio presided over by Claus Sluter, these sculptors created monuments for the ducal family that rivaled contemporary Italian works. This stunning book provides an in-depth study of the twin summits of the achievement of these artists - sculptures from the tombs of Philip the Bold...
Piero Della Francesca Trail (Walter Neurath Memorial Lectures)
by John Pope-Hennessy
After four centuries of almost complete neglect, Piero della Francesca is now one of the best known and best loved of all Renaissance painters - to such an extent that the route from one work to another has become the tourists' "Piero della Francesca Trail". Sir John Pope-Hennessy takes a fresh look at the facts of Piero's career and the significance of his paintings. A clear chronology establishes the probable sequence of his activities in Arezzo, Borgo San Sepolcro, Monterchi and Urbino. In as...
The reign of Philip III (15781621) was a time of cultural and political vitality for the Spanish monarchy. Accordingly, the art of this period flourished, witnessing the birth of a naturalistic style that was variously reflected in a new attention to detail and spatiality in court portraiture, the thriving of still life, the humanizing of saints and the development of polychrome sculpture. Focusing on the careers of the mature El Greco and the young Velazquez, which bookend this exciting period...
Byzantium
The fall of the Byzantine capital of Constantinople to the Latin West in 1204 during the Fourth Crusade abruptly interrupted nearly nine hundred years of artistic and cultural traditions. In 1261, however, the Byzantine general Michael VIII Palaiologos triumphantly re-entered Constantinople and reclaimed the seat of the empire, initiating a resurgence of art and culture that would continue for nearly three hundred years, not only in the waning empire itself but also among rival Eastern Christi...
The discovery of an unknown collection of old master paintings is today a rare occurrence. This volume catalogues and illustrates more than sixty Italian, French, German, and Netherlandish paintings of outstanding quality from the fifteenth through the eighteenth centuries (including several masterpieces by major Baroque artists, such as Guido Reni, Carlo Maratta, and Luca Giordano). The provenance of many of these previously unpublished paintings was the distinguished Barberini collection.The a...
Joachim Tielke was an outstanding instrument maker in the Baroque period who is famous above all for his elaborately decorated works. The book presents new instruments made by him that have only recently become known. This has made it possible to expand on various aspects of his work and to clarify questions regarding dating more precisely. This book provides new insights into Tielke's work and supplements the extensive volume Joachim Tielke. Kunstvolle Musikinstrumente des Barock (2011).