A captivating account of the formative years of one of Canada’s best-known artists, Jackson’s Wars follows A.Y. Jackson’s education and progress as a painter before he was a well-known artist and his time on the battlefield in Europe, before he cast his lot in with a group of like-minded Toronto artists.Jackson fought many battles: he was a feisty and opinionated combatant when he crossed swords with critics, collectors, museums, galleries, and fellow painters as an emerging artist. Moving from...
Treasures of the National Gallery of Canada
This handsomely produced volume, featuring 128 full-page color illustrations, showcases a wide-ranging selection of the most outstanding works from Canada’s largest art museum. Each of the pieces chosen for inclusion is introduced by a curatorial specialist, who sets it in its historical context and comments on its meaning and its place in the artist’s oeuvre. Pride of place is given to the Gallery’s unparalleled holdings in Canadian art, but European art—paintings, sculptures, prints, and dra...
Millicent Mary Chaplin was the wife of Lieutenant Colonel Thos. Chaplin of the Coldstream Guards, and accompanied him to Quebec in 1838. During the next four years the Chaplins traveled widely in Upper and Lower Canada and the United States and met an extraordinary variety of people, including Lafontaine, Georges Etienne Cartier, John Beverly Robinson, and William Allan. Her diary offers perspectives of New York and American manners, Toronto, Kingston, Montreal, Quebec, the Maritimes, and Niag...
In Facets of Eros, David Sobelman, an award-winning writer of documentaries, explores the early drawings of Canadian artist Claire Wilks, their presciently feminist visual vocabulary. He does so by looking at the drawings—so open in their sexuality, so puzzling in their vision of motherhood, so sensually affirming in their engagement with death in the Shoah camps—through the lens of that ancient figure Eros, as first discussed by Plato. This is a startling, original approach to a startling, orig...
In the 1930s, the exciting urban environment of Montreal provided the perfect venue for a varied group of people who came together to form a kind of "salon" in the turmoil of the Great Depression. For ten years, these friends and acquaintances met each week at the home of the artist John Lyman. They saw themselves as "modern," a part of the avant-garde that was then busily changing the world. These Canadian modernists supported left-wing causes, advocated a more stable social order, and heralded...
The Official Picture (McGill-Queen's/Beaverbrook Canadian Foundation Studies in Art History)
by Carol Payne
Mandated to foster a sense of national cohesion The National Film Board of Canada's Still Photography Division was the country's official photographer during the mid-twentieth century. Like the Farm Security Administration and other agencies in the US, the NFB used photographs to serve the nation. Division photographers shot everything from official state functions to images of the routine events of daily life, producing some of the most dynamic photographs of the time, seen by millions of Canad...
The beauty and breadth of this book make it the definitive book of Emily Carr, one of twentieth century art's most innovative outsiders. An ambitious and groundbreaking book revisits Carr and her world through the eyes of three distinguished senior curators, and seven critics and essayists. Featuring over 250 colour images, which form a vivid narrative. Never before has Carr's life, and her place at the centre of the Canadian imagination, been so vividly explored.
How do artists in Toronto visualise their sense of place? Are there particular 'made-in-Toronto' ways of thinking about the city? With work selected by internationally renowned Toronto-based artist Luis Jacob, Form Follows Fiction: Art and Artists in Toronto considers the ways in which artists visualise Toronto, throughout a period of fifty years. Presenting a thematic clustering of works by 86 artists, the book is premised on the tendency of artists in the city to favour performative and alleg...
This book examines the various figures and interests involved in the design and construction of the Canada Pavilion and explores how it was used over the past sixty years to exhibit the work of Canadian artists and architects. This publication intends not only to underline the pavilion's importance in the broader context of modern architecture, but also to highlight its role as an early example of cultural diplomacy. The book is fully endowed with archive material, such as photographs, drawings...