Sean Scully has made the motif of stripes his own, offering through them a sustained exploration of the nature of human relationships. We learn to read his stripes and colored shapes as meditations on, for example, union and disunion, dependence and independence, or harmony and disharmony. But because his images are not figurative, they can seek a universal appeal, color and form being understood by all cultures. This book by Brian Kennedy, Director of the Hood Museum of Art at Dartmouth College...
2018 Planner Weekly and Monthly (2018 Planners Journals, #1) (Weekly Planner Calendar 2018, #1)
by 2018 Planners and Organizers for Women and Planners and Calendar Notebooks 2018
For today's owner of an antique house, the discovery of an early stenciled wall-even a fragment of one-is a revelation that offers a shard of a tangible past. In post-revolutionary America, the decoration of choice for a surprisingly large number of home owners from all social and economic groups was walls painted with intricate stenciled designs. Stenciled walls were cheaper and more sanitary than those covered with paper, but the most compelling reason for the widespread use of stenciling was...
In the 1970s, Manhattan’s west side waterfront was a forgotten zone of abandoned warehouses and piers. Though many saw only blight, the derelict neighborhood was alive with queer people forging new intimacies through cruising. Alongside the piers’ sexual and social worlds, artists produced work attesting to the radical transformations taking place in New York. Artist and writer David Wojnarowicz was right in the heart of it, documenting his experiences in journal entries, poems, photographs, fil...
Darren Goodman, Trail of Tears, a glass odyssey
by Lourdan Kimbrell and Darren Goodman
Relaxing Stress Relief Coloring Book (Stress Relief Coloring Book, #2)
by Tanakorn Suwannawat
Black Milk: Imagining Slavery in the Visual Cultures of Brazil and America
by Professor of English Marcus Wood
