Wiradjuri Spirit Man (Art & Australia Monograph S.)
by Harry J. Wedge
Inspired by the symmetrical, Jeffersonian layout of the American Pavilion's Neoclassical architecture, and by Thomas Cole's cycle of the same name, Ed Ruscha installed this ten-painting exhibition titled Course of Empire at the 2005 Venice Biennale. Five pieces are painted in color and five in black and white. The artist paired each work from his 1992 Blue Collar series with a new color canvas depicting the future of the same urban landscape, some deteriorated, some growing and changing, some se...
Gender and Political Identities in Scotland, 1919-1939 (Scottish Historical Review Monographs)
by Annmarie Hughes
This work offers a unique contribution to gender and Scottish history breaking new ground on several fronts: there is no history of inter-war women in Scotland, very little labour or popular political history and virtually nothing published on women, the home and family. This book is a history of women in the period which integrates class and gender history as well as linking the public and private spheres. Using a gendered approach to history it transforms and shifts our knowledge of the Scotti...
Maps are the manifestation of an intellectual construct of physical and metaphysical environments. They are rich cultural objects presenting and transmitting information about time and place of production. A map is not neutral - it is an interactive, constructed representation of space as perceived and presented by its maker and then interpreted by the viewer. Maps thus reveal methodological relationships between artistic and scientific approaches, aesthetics and functionality and form and conte...
Illustrated with eight pages of color plates and scores of black-and-white illustrations, a ground-breaking investigation of the Gothic style in art and literature ranges from the seventeenth century to the contemporary rock band, The Cure.
Renaissance Theory presents an animated conversation among art historians about the optimal ways of conceptualizing Renaissance art, and the links between Renaissance art and contemporary art and theory. This is the first discussion of its kind, involving not only questions within Renaissance scholarship, but issues of concern to art historians and critics in all fields. Organized as a virtual roundtable discussion, the contributors discuss rifts and disagreements about how to understand the Ren...
There have been many books about this astonishing artist, most of them written as celebrations of his creative abundance. Tim Hilton has a more challenging purpose: to define Picasso's achievement and his place within twentieth-century art.
The Surviving Image, originally published in French in 2002, is the result of Georges Didi-Huberman's extensive research into the life and work of foundational art historian Aby Warburg. Warburg envisioned an art history that engaged with anthropology, psychoanalysis, and philosophy in order to understand the "life" of images. Drawing on a wide range of Warburg's unpublished letters and diaries, Didi-Huberman demonstrates unequivocally the complexity and importance of Warburg's ideas and the way...
L'Affaire Tintin Au Congo
by Didier Pasamonik, Patrick Pinchart, and Nicolas Anspach
Hal Foster, author of the acclaimed Design and Crime, argues that a fusion of architecture and art is a defining feature of contemporary culture. While architects such as Zaha Hadid and Herzog and de Meuron draw on art to reanimate design, architecture has inspired fundamental transformations in painting, sculpture and film, which are also explored here. The book includes an extensive conversation with Richard Serra. At the same time Foster points to a "global style" of architecture, as practice...