Indigeneity in Latin American Cinema

by Milton Fernando Gonzalez Rodriguez

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Book cover for Indigeneity in Latin American Cinema

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Indigeneity in Latin American Cinema explores how contemporary films (2000-2020) participate in the evolution and circulation of images and sounds that in many ways define how indigenous communities are imagined, at a local, regional and global scale. The volume reviews the diversity of portrayals from a chronological, geopolitical, linguistic, epistemic-ontological, transnational and intersectional, paradigm-changing and self-representational perspective, allocating one chapter to each theme. The corpus of this study consists of 68 fictional features directed by non-indigenous filmmakers, 31 cinematic works produced by indigenous directors/communities, and 22 Cine Regional (Regional Cinema) films. The book also draws upon a significant number of engravings, drawings, paintings, photographs and films, produced between 1493 and 2000, as primary sources for the historical review of the visual representations of indigeneity. Through content and close (textual) analysis, interviews with audiences, surveys and social media posts analysis, the author looks at the contexts in which Latin American films circulate in international festivals and the paradigm shifts introduced by self-representational cinema and Roma (Mexico, 2018). Conclusively, the author provides the foundations of histrionic indigeneity, a theory that explains how overtly histrionic proclivities play a significant role in depictions of an imagined indigenous Other in recent films.
  • ISBN10 1501384708
  • ISBN13 9781501384707
  • Publish Date 25 August 2022 (first published 28 July 2022)
  • Publish Status Forthcoming
  • Publish Country US
  • Publisher Bloomsbury Publishing Plc
  • Imprint Bloomsbury Academic USA
  • Format Hardcover
  • Pages 304
  • Language English