This is a chapter taken from Alex Ross's groundbreaking history of twentieth-century classical music, The Rest is Noise.
Ross shows how the flowering of avant-garde music in early twentieth-century Russia was co-opted, corrupted and crushed by the dictatorial ideology of Stalin's Russia, with great composers including Shostakovich and Prokofiev forced to choose between collaboration, exile or ostracism.
Now a major festival running throughout 2013 at London's Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art's troublesome dance with politics, social and cultural change.
Alex Ross is the New Yorker's music critic, and the winner of the Guardian First Book Award and the National Book Critics Circle Award for The Rest is Noise, which was also shortlisted for the Samuel Johnson and Pulitzer prizes for non-fiction.
- ISBN13 9780007522088
- Publish Date 28 February 2013 (first published 5 March 2009)
- Publish Status Active
- Publish Country GB
- Publisher HarperCollins Publishers
- Imprint Fourth Estate Ltd
- Edition Digital original
- Format eBook
- Pages 30
- Language English
- URL http://harpercollins.co.uk