In this book a philosopher examines the aesthetic grounds of sculpture as an art form independent of painting and architecture. Using the concepts of phenomenology, Mr. Martin argues convincingly that sculpture differs from both painting and architecture in the way it activates surrounding space. Shadows, textures, reflections, hollows, and prominences-all act to pull the observer into the space of the sculpture, compelling him to participate actively in its realization.
- ISBN13 9780813153261
- Publish Date 30 November 2015 (first published 1 December 1981)
- Publish Status Cancelled
- Publish Country US
- Imprint The University Press of Kentucky
- Format Paperback
- Pages 352
- Language English