The analytical techniques that Heinrich Schenker developed have become increasingly dominant in the analysis of tonal music, and have provided a rich and powerful means of understanding the complexities of great masterworks of theWestern tradition. Schenker's method is based on two cardinal concepts-a hierarchy of tones grouped into structural levels, and a recognition of the importance of strict voice-leading at all structural levels. In Analyzing Fugue-A Schenkerian Approach, author William Renwick utilizes Schenkerian techniques to explore the relationship between imitative counterpoint and voice-leading in fugue. He shows that the art of fugal composition as practiced by masters such as Bach and Handel involves a remarkable degree of systematic structural patterning that is not evident on the surface of the music.
Reviews-...Renwick's book offers a penetrating theory of fugue, with telling observations for theorists and composers alike. Heather Platt Notes Sept. 1996
...clearly the fruit of deep study and sophisticated knowledge of fugues (particularly those of bach) and the literature about them. ...many will find it a fount of wisdom and knowledge. Lionel Pike, Music and Letters vol. 77 no. 1
...consummate and meticulous scholarship. Robert Gauldin, Intégral vol. 9
- ISBN10 0945193521
- ISBN13 9780945193524
- Publish Date 30 May 1995
- Publish Status Inactive
- Out of Print 17 May 2017
- Publish Country US
- Imprint Pendragon Press
- Format Paperback (US Trade)
- Pages 229
- Language English