The Trial of Joan of Arc

Daniel Hobbins (Editor & Translator)

No account is more critical to our understanding of Joan of Arc than the contemporary record of her trial in 1431. Convened at Rouen and directed by Bishop Pierre Cauchon, the trial culminated in Joan's public execution for heresy. The trial record, sometimes preserving Joan's very words, unveils her life, character, visions and motives in fascinating detail. Here is one of our richest sources for the life of a medieval woman. Obscured by the passing of centuries and distorted by the lens of modern cinema, the story of the historical Joan of Arc comes vividly to life once again.

• ISBN10: 0674038681
• ISBN13: 9780674038684
• Publish Date: 1 July 2009 (first published 1 November 2005)
• Publish Status: Active
• Publish Country: US
• Imprint: Harvard University Press
• Format: eBook
• Pages: 272
• Language: English

Reviews

[Briana @ Pages Unbound]

The Trial of Joan of Arc offers a fascinating look into the Middle Ages. The questions that Joan’s judges ask her reveal a lot about the issues that were troubling Church officials at the time. Of course, the English were mainly interested in killing Joan as quickly as possible because she was such an inspiration to her enemies, and taking her to an ecclesiastical court offered them an opportunity to condemn her they would not otherwise have had. (Under the ordinary rules of war, Joan should have been held for ransom, so accusing her of witchcraft was an easy way for the English to avoid giving her back to the French.)

Nonetheless, their questions about her religious upbringing—how much she knew about the faith, whether she believed the correct things, etc.—reflect a real concern about heresy. The Great Schism had recently divided the Church, three different men were claiming to be pope, and real heresies like Lollardy were gaining popularity. The Church was in danger of losing some of its authority.

Other questions the judges pose to Joan reveal the Church’s related concern about witchcraft. Contrary to popular belief, witch burnings were not particularly common in the Middle Ages, but rather a standard feature of later periods like the Renaissance. During Joan’s lifetime, the Church was only just beginning to fear witchcraft and to label actions that had been part of folk culture for generations demonic. Thus the judges ask Joan whether she used to dance around a “fairy tree” near her home, something that would have been viewed as innocuous if foolish in the past, but now determined to be a type of devil-worship. They also ask her quite random questions like, “Where is your mandrake?” without any type of lead-in, clearly hoping to catch her off her guard.

Joan’s clever and sometimes quite saucy responses to these questions are what make her trial transcript such a fun read. She is able to avoid most implications of heresy by giving the “correct” responses and to avoid being labeled a witch by claiming ignorance of any sorcery at all; she does not even know what a mandrake is for, much less does she have one. Even better are her quips in reply to questions like whether St. Margaret spoke English: “Why should she speak English? She is not on the English side.” Or whether St. Michael were naked: “Do you think that Our Lord has not wherewithal to clothe him?” She says her voices told her to “answer boldly,” and she does exactly that, even in the face of threats of torture or death. One does not have to believe that Joan is a saint or even that she heard voices at all to appreciate her great courage and humor. Her trial is a great read for any interested in religion, history, or just a strong heroine.