The Gothic Idol: Ideology and Image-Making in Medieval Art (Cambridge Studies in New Art History and Criticism)

by Michael Camille

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By examining the theme of idol-worship in medieval art, this book reveals the ideological basis of paintings, statues and manuscript illuminations that depict the worship of false gods in the thirteenth and fourteenth centuries. By showing that images of idolatry stood for those outside the Church - pagans, Muslims, Jews, heretics, homosexuals - Camille sheds light on how medieval society viewed both alien 'others' and itself. He links the abhorrence of worshipping false gods in images to an 'image-explosion' in the thirteenth century when the Christian Church was filled with cult statues, miracle-working relics, and 'real' representations in the Gothic style. In attempting to bring the Gothic image to life, Camille shows how images can teach us about attitudes and beliefs in a particular society.
  • ISBN13 9780521424301
  • Publish Date 25 October 1991 (first published 27 October 1989)
  • Publish Status Inactive
  • Out of Print 19 January 2000
  • Publish Country GB
  • Imprint Cambridge University Press
  • Format Paperback (US Trade)
  • Pages 441
  • Language English