Kevin Costain
Written on Nov 27, 2019
Switched is dense, but accessible, Sloane and Harding have crafted a book that seems worthy of a songwriter’s attention but with enough fundamentals to help along someone who knows nothing of this world. Me.
The incredible thing is, I’m know very little about music construction- but it didn’t matter. This book hooked me into the world of beat, measure, octave, harmony, and timbre in a way that made sense; not as a bunch of arcane terms I was expected to just understand. This wasn’t done, as far as I’m concerned, condescendingly. Rather, you’re taken on a journey of musical ideas where the chosen songs seem to fit the narrative well - a narrative of ever-expanding musical knowledge. I’m not an expert after reading this either, but it helped me actually have a conversation with my singer/songwriter girlfriend and not sound stupid. That’s my kind of book.
Switched on Pop takes a sort of listicle approach by diving into one song per chapter. This, however, feels perfect because with each song, I’m introduced to new musical concepts. The beauty of this is the effect of building knowledge of musical parts, one song analyzed at a time. The chapters are short and concise enough that you feel like forward progress is there.
This book is emanatly readable, proof of concept: on my first sitting, I had read 30% of the book. It just finds ways to propel you to the next chapter, the next song. Not with a cliffhanger, but with anticipation for what you’ll learn next. Hoping the next song is a song you’ll know, and then -boom- it’s Love on Top by Beyonce (one of my favourites).