When the Lindahls meet the Bonners, their marriage is already in deep trouble. This meeting is a catalyst for a complicated series of emotions and traumas, set against the backdrop of suburban Los Angeles in the early '50s.

In Milton Lumky Territory

by Philip K. Dick

Published 1 December 1984
Bruce Stevens is a young buyer for a big discount house when he meets the recently divorced Susan Faine. She suggests that he might like to manage her ailing typewriter store and he leaps at the suggestion. Then he realizes that Susan was his teacher when he was in fifth grade. In spite of that, they are married within days. And then the odd compulsions and instabilities start to interfere with their plans. Milton Lumky, the paper salesman in whose area they live, is uneasy about their future ...

Confessions of a Crap Artist

by Philip K. Dick

Published 13 September 1979
Jack Isidore is a 'crap artist', a collector of crackpot ideas and worthless objects. His beliefs make him a man apparently unsuited for real life and so his sister, an edgy and aggressive woman, and his brother-in-law, a crass and foul-mouthed businessman, feel compelled to rescue him from it. But, observed through Jack's murderously innocent gaze, Fay and Charley Hume are seen to be just as obsessed as Jack. Their obsessions may be a little more acceptable than Jack's but they are uglier. And, in the end and thanks to Jack's intervention, theirs lead to tragedy ...

Mary and the Giant

by Philip K. Dick

Published 1 April 1987
Mary Anne Reynolds is a young and vulnerable woman, determined to make her own way in the world. But Pacific Park, California, in the 1950s is not really the place for Mary. Her relationship with a black singer offends against the small town's views on sexual mores and exposes its bigoted views on race. This is a powerful portrayal of the claustrophobia of small-town California, and Mary Anne Reynolds is one of the most memorable characters Dick ever created.

Humpty Dumpty in Oakland

by Philip K. Dick

Published 1 October 1986

Set in the San Francisco Bay area in the late 1950s, Humpty Dumpty in Oakland is a tragicomedy of misunderstandings among used car dealers and real-estate salesmen: the small-time, struggling individuals for whom Philip K. Dick always reserved his greatest sympathy.

Jim Fergesson, an elderly garage owner with a heart condition, is about to sell up and retire; Al Miller is a somewhat feckless mechanic who sublets part of Jim's lot and finds his livelihood threatened by the decision to sell; Chris Harman is a record company owner who for years has relied on Fergesson to maintain his cars. When Harman hears of Fergesson's impending retirement he tips him off to what he says is a cast-iron business proposition: a development in nearby Marin County with an opening for a garage. Al Miller, though, is convinced that Harman is a crook, out to fleece Fergesson of his life's savings. As much as he resents Fergesson he can't bear to see that happen and - denying to himself all the time what he is doing - he sets out to thwart Harman.